The Birth of Venus, c.1485 by Botticelli
Actual Painted Size: $1,251.00 ...:
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The effects of ageing and antiqueness impart to a painting the charm of authenticity and nobility. Thus, a reproduction of a painting would impart unique style and appearance to any interior.
The process of making our painting reproductions look old and cracked is in absolute conformity with the technology of oil painting, and in no way does it damage the painting.
Please see some examples of art reproductions that have been made to look old in our studio.
Madonna and the Child with St Francis of Assisi, St John the Baptist, St Gregory the Great and St Margaret of Cortona, 1592
Harmony (The Three Graces), c.1541/44
Hans Baldung Grien
Endymion Porter and Anthony van Dyck, c.1635
Sir Anthony van Dyck
Offering to Ceres, c.1619
The Garden of Earthly Delights, c.1490/00
The Garden of Earthly Delights Triptych (Left Panel), c.1490/00
The Garden of Earthly Delights Triptych (Left Panel), c.1490/00
The Birth of Venus, c.1485
Galleria degli Uffizi Florence Italy
Original Size:180 x 280 cm
This painting reproduction will be completely painted by hand with oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.
The Time it Takes to be Created:To paint your Botticelli Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 4-5 weeks to make the painting.
Should a change of deadlines become necessary, or should your order arrive at a time when we are overloaded with work, then we will notify you by e-mail concerning how much time we would need to complete your painting reproduction.
Shipping:We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. The Birth of Venus by Botticelli is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
You can check the price for shipping the order on the shopping cart screen.
The paintings we create are only of museum quality. Our academically trained artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
The Birth of Venus is a painting by Sandro Botticelli. It depicts the goddess Venus, having emerged from the sea as a full grown woman, arriving at the sea-shore (Venus Anadyomene motif). The painting is currently in the Uffizi Gallery in Florence.
This large picture by Botticelli may have been, like the Primavera, painted for Lorenzo di Pierfrancesco de' Medici's Villa di Castello, around 1483, or even before. Some scholars suggest that the Venus painted for Lorenzo and mentioned by Giorgio Vasari may have been a different work, now lost. Some experts believe it to be a celebration of the love of Giuliano di Piero de' Medici (who died in the Pazzi conspiracy in 1478) for Simonetta Cattaneo Vespucci, who lived in Portovenere, a town by the sea with a local tradition of being the birthplace of Venus. It must be noted that Botticelli himself also privately loved the beautiful Simonetta, who was de' Medici's mistress. Whatever inspired the artist, there are clear similarities to Ovid's Metamorphoses and Fasti, as well as to Poliziano's Verses. Simonetta is also believed to have been the model for Venus in this painting, as well as for several other women in other Botticelli works, such as Primavera.
The classical goddess Venus emerges from the water on a shell, blown towards shore by the Zephyrs, symbols of spiritual passions. She is joined by one of the Horae, goddesses of the seasons, who hands her a flowered cloak.
The effect, nonetheless, is distinctly pagan, considering it was made at a time and place when most artworks depicted Roman Catholic themes. It is somewhat surprising that this canvas escaped the flames of Savonarola's bonfires, where a number of Botticelli's other alleged pagan influenced works perished. Botticelli was very close to Lorenzo de Medici. Because of their friendship and Lorenzo's power, this work was spared from Savonarola's fires and the disapproval of the church.
The anatomy of Venus and various subsidiary details do not display the strict classical realism of Leonardo da Vinci or Raphael. Most obviously, Venus has an improbably long neck, and her left shoulder slopes at an anatomically unlikely angle. Such details only enhance the great beauty of the painting, and some have suggested it prefigures mannerism.
The painting was one of a series which Botticelli produced, taking as inspiration written descriptions by the 2nd century historian Lucian of masterpieces of Ancient Greece which had long since disappeared. The ancient painting by Apelles was called Venus Anadyomene, "Anadyomene" meaning "rising from the sea"; this title was also used for Botticelli's painting, The Birth of Venus only becoming its better known title in the 19th century. 'The Birth of Venus' is very similar to Praxiteles' Aphrodite, a statue.
A mural from Pompeii was never seen by Botticelli, but may have been a Roman copy of the then famous painting by Apelles which Lucian mentioned.
In classical antiquity, the sea shell was a metaphor for a woman's vulva.
The pose of Botticelli's Venus is reminiscent of the Venus de Medici, a marble sculpture from classical antiquity in the Medici collection which Botticelli had opportunity to study.