Moses Saved from the Waters of the Nile, c.1639/40 by Claude Lorrain
Actual Painted Size: $498.00 ...:
We can make your art reproduction to look aged and cracked as the museum original.
You can select the aged look effect from the menu under the image of the painting.
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The effects of ageing and antiqueness impart to a painting the charm of authenticity and nobility. Thus, a reproduction of a painting would impart unique style and appearance to any interior.
The process of making our painting reproductions look old and cracked is in absolute conformity with the technology of oil painting, and in no way does it damage the painting.
Please see some examples of art reproductions that have been made to look old in our studio.
The Shepherd’s Prayer, 1864
Baking Bread, 1889
Portrait of Johann Sebastian Bach, c.1746/48
Elias Gottlob Haussmann
Madonna and the Child with St Francis of Assisi, St John the Baptist, St Gregory the Great and St Margaret of Cortona, 1592
Harmony (The Three Graces), c.1541/44
Hans Baldung Grien
Endymion Porter and Anthony van Dyck, c.1635
Sir Anthony van Dyck
Offering to Ceres, c.1619
Moses Saved from the Waters of the Nile, c.1639/40
Prado Museum Madrid Spain
Original Size:209 x 138 cm
This painting reproduction will be completely painted by hand with oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.
The Time it Takes to be Created:To paint your Claude Lorrain Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 4-5 weeks to make the painting.
Should a change of deadlines become necessary, or should your order arrive at a time when we are overloaded with work, then we will notify you by e-mail concerning how much time we would need to complete your painting reproduction.
Shipping:We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. Moses Saved from the Waters of the Nile by Claude Lorrain is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
You can check the price for shipping the order on the shopping cart screen.
The paintings we create are only of museum quality. Our academically trained artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
Painted in about 1638, certainly by Claude's own hand, it was bought with eight others from the artist by Philip IV. As is generally the case with his landscapes, the figures were accessories requested by the client, and were added by other artists to a picture which was conceived as a pure landscape. A Frenchman in Rome, first associated with Tassi, Breenbergh and Bril, then with Poussin, Dequesnoy, Sandrart and Pieter van Laer, Claude, from his first beginnings until the years of his fame, followed an independent course. He made a single-minded communion with nature - not always faithfully reproduced, in fact often interpreted fantastically - at times associated with dreams of remote, fabulous antiquity, and with scenes of palaces drenched in light, of temples, ruins and seaports lit up by the rising or the setting sun. Claude repeated this landscape, but with a different illumination between the intersecting masses of trees. Here there is a sparkling sheet of water beyond the waterfall, and beyond it extends the aqueduct towards the valley and Mount Soracte, in a haze of silvery veils under the wide, sunny sky. The lyrical devotion of these landscapes engrosses one in a contemplation where every consideration gives way to that of the root identity of man vis-a-vis nature. From this point of view, Claude went beyond genre in both the rustic, country-style or hunting mode and in the staging of sacred or mythological scenes - which he retained only for clients bound to literary and rhetorical themes. As an artist he was responsible for a new concept, that of the exclusive and independent choice of one's own conditions of expression. The solitary landscape, with its inviting trees and hills, with its intimate aspect of a world that can open up at any moment and at every step, is the hero of his art.