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Surrender of Breda (Las Lanzas), c.1634/35 | Canvas Print

Surrender of Breda (Las Lanzas), c.1634/35 by Velazquez | Canvas Print


5/5 | 1 Review

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Painting Title:

Surrender of Breda (Las Lanzas), c.1634/35

Artist:

Diego Rodriguez de Silva Velazquez (1599-1660)

Location:

Prado Museum Madrid Spain


Original Size:

307 x 367 cm

SKU:

VDZ-1046

Medium:

Your "Surrender of Breda (Las Lanzas)" Canvas Print individually handmade using sophisticated digital technology. The Giclee printing process gives the Art Print a vivid, pure colour, incredible details and the authentic charm of a museum original.

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If you have chosen Velazquez Canvas Print without a frame, it will be ready for shipping within 2-3 days. However, if you have chosen a framed painting, the framing process will take around 7-8 days.

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Surrender of Breda (Las Lanzas), c.1634/35 | Velazquez | Canvas Print
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Reviews (1)

Topic: Surrender of Breda (Las Lanzas), c.1634/35 by Velazquez
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Gygy
The Surrender of Breda
This is one of the most important and problematical works of Velazquez. Despite the probable existence of preliminary drawings (for example, in the National Library, Madrid), the canvas underwent a very complicated process of development in successive stages, as X-rays have revealed (changes in the position of the horse, the central group, the position of the lances seen against the plain and the cloudy sky, etc.). The artist's own interest in this masterpiece is shown by his inclusion, on the far right, of a self-portrait. The surface is divided into four parts in a sensitive proportional modulation that intensifies the general dynamic rhythm. Against this rectangular division, around the central group of Nassau and Spinola, there are two curved banks of figures (with the big horse that is turning away): the general staff and the soldiers. Beyond them is the encampment with other lancers sketched in, and in the distance the city and its burning fortifications in the plain that extends to the distant horizon. All the figures are powerfully individualized portraits; the atmosphere is that of an action-camera shot, with everything caught in motion. It is a sunny day; the scene is inundated with vivid, transparent colours contrasting with the magnificent lances seen against the light, the halberds to the left, the moving shadows on the ground and the kaleidoscope of parade uniforms. There is neither rhetoric nor Spanish hauteur in this work; indeed, considering the time, it is a sort of calm and good-natured timbre that one registers, in part because Velazquez reduced but did not eliminate the original embrace of the victor and the vanquished.
16th March 2014 11:51pm

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