Judith, 1504 by Giorgione
Actual Painted Size: $590.00 ...:
We can make your art reproduction to look aged and cracked as the museum original.
You can select the aged look effect from the menu under the image of the painting.
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The price for priority and express shipping depends on the weight, the volume, and the destination of the parcel. You can check the shipping cost of your order in the shopping cart screen.
The effects of ageing and antiqueness impart to a painting the charm of authenticity and nobility. Thus, a reproduction of a painting would impart unique style and appearance to any interior.
The process of making our painting reproductions look old and cracked is in absolute conformity with the technology of oil painting, and in no way does it damage the painting.
Please see some examples of art reproductions that have been made to look old in our studio.
Home in the Woods, 1847
Baptism of Poland, 1889
Green Muse, 1895
Heroic Battle, c.1652/64
No. 301 (Reds and Violet over Red), 1959
Mark Rothko (inspired by)
After the Storm, c.1922
The State Hermitage Museum St. Petersburg Russia
Original Size:144 x 66.5 cm
This painting reproduction will be completely painted by hand with oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.
The Time it Takes to be Created:To paint your Giorgione Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 4-5 weeks to make the painting.
Should a change of deadlines become necessary, or should your order arrive at a time when we are overloaded with work, then we will notify you by e-mail concerning how much time we would need to complete your painting reproduction.
Shipping:We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. Judith by Giorgione is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
You can check the price for shipping the order on the shopping cart screen.
The paintings we create are only of museum quality. Our academically trained artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
The Hermitage picture may have served as part of a built-in cupboard or an organ: before the transfer of the painting onto canvas there were visible marks of a lock on the panel. Different publications contain contradictory data on the picture's size: some authors believe that its present size is the original one, others hold that the composition was trimmed at the sides in the course of its transfer onto canvas in the Hermitage. In the engraving by Toinette Larcher (eighteenth century) we see two trees at the right and the whole composition is wider. However, an earlier engraving done by the master who signed himself L. Sa. (seventeenth century) reproduces the composition in its present-day form. Evidently in the Crozat collection the picture had had two lateral extensions added, following which T. Larcher made her engraving. In the Hermitage the extensions were removed, a fact confirmed by archival documents. Restoration work on the canvas was completed in 1972. This consisted in the removal of a layer of yellow-tinted varnish and of several later overpaintings: the original coli range of the picture was thus revealed. According to entrii in old catalogues, the Judith was brought to France by Fc and later purchased by Bertin, from whom it passed to Cr T. Pignatti voiced the opinion that there is a certain likeness between the head of Holofernes and the artist himself.