Judith, 1504 by Giorgione
Actual Painted Size: $514.00 ...:
We can make your art reproduction to look aged and cracked as the museum original.
You can select the aged look effect from the menu under the image of the painting.
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The cost of priority and express delivery depends on weight and destination. You can check the estimate shipping cost of your order in the shopping cart screen.
The effect of ageing gives one painting the charm of authentic and noble appearance. Such a art reproduction can add to any interior a unique look and a style.
The process of ageing of paintings completely conforms to the technology of oil painting.
See examples of art reproductions aged in our studio.
Garden: Meadow in Bloom, c.1935
Manda Lametrie, Farm Girl, 1887
Alfred Philippe Roll
One of the Three Magi: Gaspar, c.1618
Peter Paul Rubens
One of the Three Magi: Melchior, c.1618
Peter Paul Rubens
Charles X Distributing Prizes after the Salon of 1824, 1827
Andrieux Reading his Tragedy Junius Brutus in the Foyer of the Comédie Française, 1847
Siege of Burgos Castle, 1813
The State Hermitage Museum St. Petersburg Russia
Original Size:144 x 66.5 cm
Painting Reproduction completely hand-painted with oil on blank linen canvas.
Creation Time:Your Giorgione Hand-Painted Art Reproduction must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of several weeks for creation of the painting.
Shipping:We not frame oil painting reproductions. The Hand-Painted Art Reproduction is expensive product and the risk of damages during transport of stretched on a frame painting is too high. "Judith" by Giorgione is unframed and will be shipped rolled up in postal tube.
You can check the estimate shipping cost of your order in the shopping cart screen.
We create our paintings only with museum quality. Our academy educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
The Hermitage picture may have served as part of a built-in cupboard or an organ: before the transfer of the painting onto canvas there were visible marks of a lock on the panel. Different publications contain contradictory data on the picture's size: some authors believe that its present size is the original one, others hold that the composition was trimmed at the sides in the course of its transfer onto canvas in the Hermitage. In the engraving by Toinette Larcher (eighteenth century) we see two trees at the right and the whole composition is wider. However, an earlier engraving done by the master who signed himself L. Sa. (seventeenth century) reproduces the composition in its present-day form. Evidently in the Crozat collection the picture had had two lateral extensions added, following which T. Larcher made her engraving. In the Hermitage the extensions were removed, a fact confirmed by archival documents. Restoration work on the canvas was completed in 1972. This consisted in the removal of a layer of yellow-tinted varnish and of several later overpaintings: the original coli range of the picture was thus revealed. According to entrii in old catalogues, the Judith was brought to France by Fc and later purchased by Bertin, from whom it passed to Cr T. Pignatti voiced the opinion that there is a certain likeness between the head of Holofernes and the artist himself.