The Calling of Saint Matthew, 1599 by Caravaggio| Oil Painting Reproduction
We can make your art reproduction to look aged and cracked as the museum original.
You can select the aged look effect from the menu under the image of the painting.
Free WorldWide Standard Shipping (10-14 business days) $0.00 USD
EMS (4-5 business days)
FedEx (2 business days)
The cost of priority and express delivery depends on weight and destination. You can check the estimate shipping cost of your order in the shopping cart screen.
Painting Title:The Calling of Saint Matthew, 1599
Artist:Michelangelo Merisi da Caravaggio (1571-1610)
San Luigi dei Francesi Rome Italy
Original Size:328 x 348 cm
Painting Reproduction completely hand-painted with oil on blank linen canvas.
Creation Time:Your Caravaggio Hand-Painted Art Reproduction must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of 3-4 weeks for creation of the painting.
Shipping:We not frame oil painting reproductions. The Hand-Painted Art Reproduction is expensive product and the risk of damages during transport of stretched on a frame painting is too high. "The Calling of Saint Matthew" by Caravaggio is unframed and will be shipped rolled up in postal tube.
You can check the estimate shipping cost of your order in the shopping cart screen.
We create our paintings only with museum quality. Our Academically educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
The Calling of St Matthew, a pendant to the previous painting and hanging opposite it in the Contarelli Chapel, was particularly appropriate to both the place and the time, for Rome's French community had something to celebrate: Henri IV, heir to St Louis, had recently converted to the faith of his ancestors.
On this occasion, Caravaggio adhered to the biblical narrative relating to the apostle's conversion. Levi, a rich tax-gatherer or publican, is called by Christ out of darkness into God's light. Natural daylight, from some window high up on a wall to the right (mimicking the actual fall of light in the chapel) touches Christ's halo, face and right hand and the faces of the two youths who react to his presence, but not the eyes of the figures on the left who ignore it. The focus is on Levi, Matthew-to-be, whose attention is caught by Christ's glance and whose gesture queries whether it is he who is called. Complex rhythms of hands and feet, verticals and horizontals, reds and browns unify the picture, and a mood of serenity suffuses the moment of spiritual enlightenment.
In his drama of conversion Caravaggio shows his debts to northern European and northern Italian art. There was a Flemish tradition of pictures of money-lenders; and the two figures at the left, absorbed in the counting of coins, derive from Holbein. The two youths to the right with their plumed hats are Giorgionesque. But there is a Roman solemnity about the figures to the far right, for Christ and St Peter wear antique, timeless costume; and connoisseurs would have recognized in Christ's pointing gesture the reversed pose of the hand of Michelangelo's Adam on the ceiling of the Sistine Chapel. The divine and eternal nature of the message is stressed for the contemporary viewer.
The effect of ageing gives one painting the charm of authentic and noble appearance. Such a art reproduction can add to any interior a unique look and a style.
The process of ageing of paintings completely conforms to the technology of oil painting.
See examples of art reproductions aged in our studio.
Girl before a Mirror, March 1932
Pablo Picasso (inspired by)
A Sunday on La Grande Jatte, c.1884/86
American Gothic, 1930
The Scream, 1893
The Scream, 1910
Sir Edward Poynter
Jaffa, Recruiting of Turkish Soldiers in Palestine, 1888