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The Holy Family with Raphael, Tobias and Saint Jerome (The Virgin with a Fish), c.1513/14 | Canvas Print

The Holy Family with Raphael, Tobias and Saint Jerome (The Virgin with a Fish), c.1513/14 by Raphael | Canvas Print


5/5 | 1 Review

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Painting Title:

The Holy Family with Raphael, Tobias and Saint Jerome (The Virgin with a Fish), c.1513/14

Artist:

Raffaello Sanzio Raphael (1483-1520)

Location:

Prado Museum Madrid Spain


Original Size:

215 x 158 cm

SKU:

RSA-11324

Medium:

Your "The Holy Family with Raphael, Tobias and Saint Jerome (The Virgin with a Fish)" Canvas Print individually handmade using sophisticated digital technology. The Giclee printing process gives the Art Print a vivid, pure colour, incredible details and the authentic charm of a museum original.

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If you have chosen Raphael Canvas Print without a frame, it will be ready for shipping within 2-3 days. However, if you have chosen a framed painting, the framing process will take around 7-8 days.

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The unframed "The Holy Family with Raphael, Tobias and Saint Jerome (The Virgin with a Fish)" will be shipped rolled up in postal tube. The framed Canvas Print travel packed in a cardboard box. Due to postal restrictions, we do not frame paintings, when the length of the artwork is greater than 28" (71cm). You can check the estimate shipping cost for your order in the shopping cart screen.

The Holy Family with Raphael, Tobias and Saint Jerome (The Virgin with a Fish), c.1513/14 | Raphael | Canvas Print
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Reviews (1)

Topic: The Holy Family with Raphael, Tobias and Saint Jerome (The Virgin with a Fish), c.1513/14 by Raphael
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Gygy
The Madonna of the Fish
Nothing is known of how Raphael was commissioned to do this outstanding work. A letter of Summonte, in 1524, indicates that it was then in the chapel of the del Doce or del Duca family in St. Domenico, Naples. It is reasonable to think that it was conceived as an ex-voto for the cure of an eye malady, as is suggested by the presence of Tobias, who is being presented to the Virgin by the Archangel Raphael, and of St. Jerome. Raphael composed the group with a knowledge of curvilinear rhythms that recall the disposition of the figures around the arches in St. Maria della Pace (1514). The figures, however, appear exalted, purified in their reverent approach to the solemn, somewhat cold-looking Virgin, who leaves the principal role to the Child, seen in the act of grasping at the sacred book from which St. Jerome raises his eyes, and leaning affectionately towards the group of the angel and Tobias. The work is not considered to be entirely by the master's hand. Taking into account its less than excellent state of preservation, it is still an outstanding example of the formal and refined "prose" that Raphael knew how to compose during the years in which he created the Stanza of the Fire in the Borgo (1514-16).
16th March 2014 10:01pm

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