Diana and her Nymphs Surprised by the Fauns, c.1638/40 by Rubens
Actual Painted Size: $2,662.00 ...:
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The effect of ageing gives one painting the charm of authentic and noble appearance. Such a art reproduction can add to any interior a unique look and a style.
The process of ageing of paintings completely conforms to the technology of oil painting.
See examples of art reproductions aged in our studio.
Six Sunflowers, 1888
Vincent van Gogh
The Charity, c.1858/59
Basket of Crocus Bulbs, 1887
Vincent van Gogh
Liverpool from Wapping, 1885
John Atkinson Grimshaw
Portrait of Jean Calvin, c.1545/54
Banquet of the Officers and Subalterns of the Calivermens Civic Guard, 1599
Cornelis van Haarlem
Portrait of Sarah Bernhardt, 1876
Diana and her Nymphs Surprised by the Fauns, c.1638/40
Prado Museum Madrid Spain
Original Size:129.5 x 315.2 cm
Painting Reproduction completely hand-painted with oil on blank linen canvas.
Creation Time:Your Rubens Hand-Painted Art Reproduction must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of several weeks for creation of the painting.
Shipping:We not frame oil painting reproductions. The Hand-Painted Art Reproduction is expensive product and the risk of damages during transport of stretched on a frame painting is too high. "Diana and her Nymphs Surprised by the Fauns" by Rubens is unframed and will be shipped rolled up in postal tube.
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We create our paintings only with museum quality. Our academy educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
The figures on the far left are reminiscent of Titian, who was so often interpreted by Rubens. In the last phase of his career, Rubens expressed a powerful avidity, rather than nostalgia, for life, which was reinforced by the presence of his children and of his very young wife. The pictures that he left in his estate, including this one, are almost entirely devoid of suggestions or requirements common to official commissions. They appear to have been executed to express his ardent inspiration through mythological themes, which allow in the compositional movement and in the wealth of opportunity for light and colour, an agile, flowing execution, reflecting life in every figure and gesture, especially in the female nudes - tremulous and warm in the moving air. The supposed collaboration of Jan Wildens in the animals and landscape does not alter the work as a whole, which is surely from Rubens' hand.