Marie de Medici, Queen of France, c.1622 by Rubens
Actual Painted Size: $573.00 ...:
We can make your art reproduction to look aged and cracked as the museum original.
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The effect of ageing gives one painting the charm of authentic and noble appearance. Such a art reproduction can add to any interior a unique look and a style.
The process of ageing of paintings completely conforms to the technology of oil painting.
See examples of art reproductions aged in our studio.
Beaching Boats, undated
Joaquin Sorolla y Bastida
Vercingetorix Throws down his Arms at the Feet of Julius Caesar, 1899
Deliverance of Andromeda, 1679
An Avalanche in the Alps, 1803
Philip James de Loutherbourg
The Loing and the Mills of Moret, Snow Effect, 1891
Fellah Women Drawing Water, c.1873/75
Jean Leon Gerome
Painting Title:Marie de Medici, Queen of France, c.1622
Artist:Peter Paul Rubens (1577-1640)
Prado Museum Madrid Spain
Original Size:131 x 108 cm
Painting Reproduction completely hand-painted with oil on blank linen canvas.
Creation Time:Your Rubens Hand-Painted Art Reproduction must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of several weeks for creation of the painting.
Shipping:We not frame oil painting reproductions. The Hand-Painted Art Reproduction is expensive product and the risk of damages during transport of stretched on a frame painting is too high. "Marie de Medici, Queen of France" by Rubens is unframed and will be shipped rolled up in postal tube.
You can check the estimate shipping cost of your order in the shopping cart screen.
We create our paintings only with museum quality. Our academy educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
Painted by the artist in Paris, in 1622 or 1625, this extraordinary symphony in black, white, rose and blond was executed with lightning speed. The picture was left unfinished by the artist, as seen in the exposed ochre ground and around the collar and above the head, where he kept the sketch of a trefoil solution, indicated with rapid strokes of black. From these emerges, like a flower, the head with its delicacy of tone and the very white transparent lace.