The Annunciation, 1879 by Burne-Jones| Oil Painting Reproduction
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Painting Title:The Annunciation, 1879
Artist:Sir Edward Burne-Jones (1833-1898)
Merseyside Maritime Museum Liverpool United Kingdom
Original Size:250 x 104.5 cm
Painting Reproduction completely hand-painted with oil on blank linen canvas.
Creation Time:Your Burne-Jones Hand-Painted Art Reproduction must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of 3-4 weeks for creation of the painting.
Shipping:We not frame oil painting reproductions. The Hand-Painted Art Reproduction is expensive product and the risk of damages during transport of stretched on a frame painting is too high. "The Annunciation" by Burne-Jones is unframed and will be shipped rolled up in postal tube.
You can check the estimate shipping cost of your order in the shopping cart screen.
We create our paintings only with museum quality. Our Academically educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
Annunciations became something of a stock-in-trade for Burne-Jones: the same subject, along with a Nativity, had been commissioned from him in 1862 for a bible produced by the Dalziel brothers, and on numerous subsequent occasions for stained glass. In this version, the expulsion from Eden frieze on the wall was derived directly from a stained-glass design. Sketches for the composition are in the Fitzwilliam Museum, Cambridge, and the original cartoon re-worked in watercolour in the Castle Museum, Norwich. The oil, which was originally in the George Howard collection, was modelled by Sara Prinsep's niece Julia. In 1878 she had become the wife of the writer Leslie Stephen, and was appropriately painted while pregnant with her first child, Vanessa Stephen, later Bell (herself destined to become an artist, and the elder sister of Virginia Woolf), who was born on 3 May 1879. Having decided against a career in the church, the myth and mystery of his art became a substitute for religion in Burne-Jones's life. He created a highly personal adaptation of the Christian view of life, in Lord David Cecil's words, making it 'a search for spiritual salvation to be achieved with the help of the specifically Christian virtues of charity, humility and mercy', yet despite the gravity of his religious subjects, and especially his church stained-glass work, Burne-Jones's mythological works are invariably more deeply felt and convincing.
The effect of ageing gives one painting the charm of authentic and noble appearance. Such a art reproduction can add to any interior a unique look and a style.
The process of ageing of paintings completely conforms to the technology of oil painting.
See examples of art reproductions aged in our studio.