A Lion Attacking a Horse, c.1762 by George Stubbs
Actual Painted Size: $465.00 ...:
We can make your art reproduction to look aged and cracked as the museum original.
You can select the aged look effect from the menu under the image of the painting.
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The effects of ageing and antiqueness impart to a painting the charm of authenticity and nobility. Thus, a reproduction of a painting would impart unique style and appearance to any interior.
The process of making our painting reproductions look old and cracked is in absolute conformity with the technology of oil painting, and in no way does it damage the painting.
Please see some examples of art reproductions that have been made to look old in our studio.
The Shepherd’s Prayer, 1864
Baking Bread, 1889
Portrait of Johann Sebastian Bach, c.1746/48
Elias Gottlob Haussmann
Madonna and the Child with St Francis of Assisi, St John the Baptist, St Gregory the Great and St Margaret of Cortona, 1592
Harmony (The Three Graces), c.1541/44
Hans Baldung Grien
Endymion Porter and Anthony van Dyck, c.1635
Sir Anthony van Dyck
Offering to Ceres, c.1619
A Lion Attacking a Horse, c.1762
Yale Center for British Art Connecticut USA
Original Size:243.8 x 333 cm
This painting reproduction will be completely painted by hand with oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.
The Time it Takes to be Created:To paint your George Stubbs Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 4-5 weeks to make the painting.
Should a change of deadlines become necessary, or should your order arrive at a time when we are overloaded with work, then we will notify you by e-mail concerning how much time we would need to complete your painting reproduction.
Shipping:We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. A Lion Attacking a Horse by George Stubbs is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
You can check the price for shipping the order on the shopping cart screen.
The paintings we create are only of museum quality. Our academically trained artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
Success as an animal painter quickly followed; although initially excluded from the Royal Academy, he would exhibit with the Royal Society of Artists, and subsequently with the Royal Academy, for nearly fifteen years. The upper classes were Stubbs's main source of patronage, the racing noblemen anxious to have the most fashionable sporting painter of the day immortalize not only their nobility within nature but also their racehorses, jockeys, hounds and grooms. At times his compositions are forced, demonstrative more of his analytical ability than of his artistic talent, where strings of horses and dogs are carefully placed in a strictly observed landscape but with little sense of purpose to pull them together into a whole.
In line with the Grand Style, he expanded on the theme of the lion preying on the wild horse, a favorite subject matter in antique sculpture, which he may well have encountered on his visit to Italy. A Lion Devouring a Horse is one of seventeen works by Stubbs on this subject. He painted every wild animal he came across zebra, moose, rhinoceros - with the exactitude of the natural scientist and experimented with techniques, using different types of paint - such as enamel - and surfaces such as copper and earthenware panels made for him specially by Josiah Wedgwood, the industrial innovator who actively sought collaboration with scientifically minded artists such as Stubbs and Wright.