Prince Baltasar Carlos on Horseback, c.1635/36 by Velazquez
Actual Painted Size: $647.00 ...:
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The effect of ageing gives one painting the charm of authentic and noble appearance. Such a art reproduction can add to any interior a unique look and a style.
The process of ageing of paintings completely conforms to the technology of oil painting.
See examples of art reproductions aged in our studio.
The Dream of the Fisherman's Wife, 1814
The Great Wave at Kanagawa, undated
Dog Guarding Game near a Rose Bush, 1724
Bonne, Nonne and Ponne, c.1702
Self-Portrait as a Hunter, 1699
Dog Stopped in Front of a Pheasant, undated
Diane and Blonde, 1702
Painting Title:Prince Baltasar Carlos on Horseback, c.1635/36
Artist:Diego Rodriguez de Silva Velazquez (1599-1660)
Prado Museum Madrid Spain
Original Size:209 x 173 cm
Painting Reproduction completely hand-painted with oil on blank linen canvas.
Creation Time:Your Velazquez Hand-Painted Art Reproduction must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of several weeks for creation of the painting.
Shipping:We not frame oil painting reproductions. The Hand-Painted Art Reproduction is expensive product and the risk of damages during transport of stretched on a frame painting is too high. "Prince Baltasar Carlos on Horseback" by Velazquez is unframed and will be shipped rolled up in postal tube.
You can check the estimate shipping cost of your order in the shopping cart screen.
We create our paintings only with museum quality. Our academy educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
Painted between 1634 and 1635, the composition is intended to be immediately and swiftly perceived. There is the general diagonal disposition from lower right to upper left, and the dynamic reversed curves of the horse; and in the middle the young prince in ceremonial dress: star-shaped with rays projecting to the horse's mane, harness and tail. The whole explodes against the oblique hollow of a steep-sided valley and in the distance a receding mountain widens the background that fans out under a coruscating sky, where grey and white clouds pile on top of one another. The stylistic themes are an assembly of headlong, fugitive motifs, made concrete by the brush-work. This is divided, directed, flying and sometimes (as in many other paintings by the master) reaching the point of broken impastos, thrown directly on the canvas for passionate, accidental effects.