Felipe IV in Hunting Garb, c.1653 by Velazquez
Actual Painted Size: $435.00 ...:
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The effects of ageing and antiqueness impart to a painting the charm of authenticity and nobility. Thus, a reproduction of a painting would impart unique style and appearance to any interior.
The process of making our painting reproductions look old and cracked is in absolute conformity with the technology of oil painting, and in no way does it damage the painting.
Please see some examples of art reproductions that have been made to look old in our studio.
Sudden Shower over Shin-Ohashi Bridge and Atake, 1857
The Song of Songs, 1975
The Large Garden, 1895
Terrace in the Luxembourg Gardens, 1886
Vincent van Gogh
Home in the Woods, 1847
Baptism of Poland, 1889
Felipe IV in Hunting Garb, c.1653
Prado Museum Madrid Spain
Original Size:69 x 56 cm
The Time it Takes to be Created:To paint your Velazquez Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 4-5 weeks to make the painting.
Should a change of deadlines become necessary, or should your order arrive at a time when we are overloaded with work, then we will notify you by e-mail concerning how much time we would need to complete your painting reproduction.
Shipping:We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. Felipe IV in Hunting Garb by Velazquez is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
You can check the price for shipping the order on the shopping cart screen.
The paintings we create are only of museum quality. Our academically trained artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
Painted between 1652 and 1653 (according to Lopez-Rey), and in any case before 1655 (when it was engraved by Pedro de Villafranca), this is the prototype from life of numerous half-length portraits of the King (others are in: London, National Gallery; Cincinnati Museum; Vienna, Kunst-historisches Museum; Madrid, Marques de Argiieso; Glasgow, Art Gallery; Saint Petersburg, Hermitage; Madrid, Academia de S. Fernando; Madrid, Istitudo de Valencia de Don Juan; Edinburgh, National Gallery; Bilbao Museum; Turin, Galleria Sabauda; Montreal, Van Home Collection, etc.). It also served for numerous other full-length portraits of Philip in various poses and kinds of dress, executed by the school of Velazquez to satisfy the need for likenesses of the sovereign in offices, embassies and courts.
These works are generally on a high technical level, but lack the burning interior quality that characterizes the paintings by the artist's own hand. Its execution is extremely rapid and generalized, done in a few moments, and mainly concentrated on the head - surrounded by an even, dark grey ground - but also stressed in the white collar and the very simple black silk garment.
The imperious and at the same time perturbed face of the king - who has been posed to show his regality - is caught in a moment that permits an inner uncertainty, a diffident timidity, a defensive haughtiness to come through. The artist has caught these traits by an intuitive sounding of the depths of his subject, which do not appear in the official portraits. The latter have nothing of the hidden penetration of the Spanish ruler's character, and reveal mainly or only his pride, without the psychological complications.