Wirklich Gemalt Größe: $687.00 ...:
Ihre gemälde-reproduktion kann alt und spröde wie das museumsoriginal gemacht werden.
Sie können alt antiquarisch aussehende von der button unter dem bild des gemäldes.
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Das Effekt der Veralterung verleiht dem Bild eine unvergleichliche Anmut, Autentizität und Adel. Mit diesem Aussehen können die Handgemalte Kunstreproduktionen jedem Interieur einen einzigartigen, neuen Stil geben.
Der Prozess der Veralterung des Bildes ist völlig mit der Technologie der Ölmalerei kompatibel und beschädigt auf keine Weise ihre Oberfläche. Da das Effekt der Veralterung ein Firmengeheimnis ist, hoffen wir, dass Sie die Vorenthaltung weiterer Informationen über die Beschreibung der Technologie verzeihen.
Siehe Beispiele von Gemälde-Reproduktionen in unserem Studio gealtert und spröde.
Gemälde Titel:A Favourite Custom, 1909
Künstler:Sir Lawrence Alma-Tadema (1836-1912)
Tate Gallery London United Kingdom
Originalgröße:66.1 x 45 cm
Gemälde Reproduktion sind vollständig handgemalt mit Öl auf leere leinwand.
Erzeugung Zeit:Ihre Alma-Tadema Handgemalte Reproduktion must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of 3-4 weeks for creation of the painting.
Versand:We not frame oil painting reproductions. The Handgemalte Reproduktion is expensive product and the risk of damages during transport of stretched on a frame painting is too high.A Favourite Custom" by Alma-Tadema is unframed and will be shipped rolled up in postal tube.
You can check the estimate shipping cost of your order in the shopping cart screen.
We create our paintings only with museum quality. Our Academically educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
Alma-Tadema was Dutch by birth, and trained in Belgium before settling in London in 1870 and assuming British citizenship in 1873. His work was immensely popular in the late Victorian period. Knighted in 1899, he received the Order of Merit in 1905. In 1852 he had attended the Antwerp Academy and subsequently developed his taste for historical themes whilst working on the frescoes of Antwerp Town Hall as the assistant to Baron Henri Loy. Alma-Tadema's paintings of this period show a use of sombre colors and overtones of North Europe's Dark Ages. In 1863, his travels to Pompeii turned his attention to the ancient world, and he painted a series of classical subjects set in detailed interiors and rich in deep “Pompeian” colors. By 1870, his reputation in Britain was founded on paintings such as Phidias and the Parthenon (1868) in which he combined an interest in the life of the past, in its human aspects, with accurate settings culled from his study of archaeology.
Success came quickly and he was elected a member of the Royal Academy by 1879. The palette of his pictures lightened markedly in the 1890s, the settings became more generalized, and hints of narrative and of the mildly erotic crept into his work. Unconscious Rivals (1893) shows two richly dressed young women on a balcony overlooking the sea. The vaulted ceiling suggests a wealthy Roman villa on the coast, the title a narrative of desire, confirmed by the marble statue of Cupid and the languid posture of the women as they gaze over the balcony. To the right, the feet of a statue, based on the Seated Gladiator in the Lateran Museum, Rome, suggests that the object of these ladies' affections, according to the custom amongst wealthy Romans, was a suitably virile young gladiator.