Equestrian Portrait of Don Gaspar de Guzman Count-Duke of Olivares, 1635 | Leinwand Kunstdruck
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Gemälde Titel:Equestrian Portrait of Don Gaspar de Guzman Count-Duke of Olivares, 1635
Künstler:Diego Rodriguez de Silva Velazquez (1599-1660)
Prado Museum Madrid Spain
Originalgröße:313 x 239 cm
Technik:Ihre "Equestrian Portrait of Don Gaspar de Guzman Count-Duke of Olivares" Leinwand Kunstdruck individually handmade using sophisticated digital technology. The Giclee printing process gives the Art Print a vivid, pure colour, incredible details and the authentic charm of a museum original.
Produktionszeit:If you have chosen Velazquez Leinwand Kunstdruck without a frame, it will be ready for shipping within 2-3 days. However, if you have chosen a framed painting, the framing process will take around 7-8 days.
Größen:Our Art Prints are offered in sizes in exact proportions as the original paintings in the museums. You can increase or decrease the size, using purple-up or down arrows, located under the image of the painting. We add additional 3cm blank canvas around the offered size for stretching.
Versand:The unframed "Equestrian Portrait of Don Gaspar de Guzman Count-Duke of Olivares" will be shipped rolled up in postal tube. The framed Leinwand Kunstdruck travel packed in a cardboard box. Due to postal restrictions, we do not frame paintings, when the length of the artwork is greater than 28" (71cm). You can check the estimate shipping cost for your order in the shopping cart screen.
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maximale format für bilderrahmen: 27.95/21.14 zoll
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The picture commemorates the royal favourite and minister and political author of Philip IV's victories. We see here the Count-Duke seated on his rearing horse. In the background, on the left, there is an infantry battle. The position of the horse, in the classical and humanist tradition, and the commanding pose of the figure, as in other equestrian portraits, are conventions imposed by the theme. But in carrying it out, the artist transformed and individualized its character. Starting from the sword, and passing through the arm and baton of command, a rapid zigzag is traced, which sums up the broken movement of the figure and the axis of the entire picture, from below to above and from one end to the other: and mobilizes it completely, aided by all the other indications of movement. A feeling of motion animates every phase and every point and is echoed in the landscape which is dramatically rich in changes in level and in raking light and shade, as well as in the sky, full of tumultuous clouds and torn by luminous breaks. The smoking battle adds a sharp, even tragic note to the breathless action of the composition, which is coherently accompanied by the bursts of colour and by the broken and unexpected patterns of the brushwork.