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/ Prince Baltasar Carlos on Horseback, c.1635/36

Prince Baltasar Carlos on Horseback, c.1635/36 von Velazquez

| Ölgemälde Reproduktion


5/5 | 1 Review

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Gemälde Titel:

Prince Baltasar Carlos on Horseback, c.1635/36

Künstler:

Diego Rodriguez de Silva Velazquez (1599-1660)

Standort:

Prado Museum Madrid Spain


Originalgröße:

209 x 173 cm

SKU:

VDZ-1036-1066

Technik:

Gemälde Reproduktion sind vollständig handgemalt mit Öl auf leere leinwand.


Erzeugung Zeit:

Ihre Velazquez Handgemalte Reproduktion must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of 3-4 weeks for creation of the painting.

Versand:

We not frame oil painting reproductions. The Handgemalte Reproduktion is expensive product and the risk of damages during transport of stretched on a frame painting is too high.Prince Baltasar Carlos on Horseback" by Velazquez is unframed and will be shipped rolled up in postal tube.
You can check the estimate shipping cost of your order in the shopping cart screen.


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Prince Baltasar Carlos on Horseback, c.1635/36 | Velazquez | Gemälde Reproduktion
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Reviews (1)

Topic: Prince Baltasar Carlos on Horseback, c.1635/36 by Velazquez
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Gygy
Prince Balthasar Carlos on Horseback
Painted between 1634 and 1635, the composition is intended to be immediately and swiftly perceived. There is the general diagonal disposition from lower right to upper left, and the dynamic reversed curves of the horse; and in the middle the young prince in ceremonial dress: star-shaped with rays projecting to the horse's mane, harness and tail. The whole explodes against the oblique hollow of a steep-sided valley and in the distance a receding mountain widens the background that fans out under a coruscating sky, where grey and white clouds pile on top of one another. The stylistic themes are an assembly of headlong, fugitive motifs, made concrete by the brush-work. This is divided, directed, flying and sometimes (as in many other paintings by the master) reaching the point of broken impastos, thrown directly on the canvas for passionate, accidental effects.
16th March 2014 11:58pm

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