Virgin and Child with St. Anne, c.1502/13 von Leonardo da Vinci
Wirklich Gemalt Größe: $859.00 ...:
Ihre gemälde-reproduktion kann alt und spröde wie das museumsoriginal gemacht werden.
Sie können alt antiquarisch aussehende von der button unter dem bild des gemäldes.
Free WorldWide Standard Shipping (10-14 business days) $0.00 USD
EMS (4-5 business days)
FedEx (2 business days)
The cost of priority and express delivery depends on weight and destination. You can check the estimate shipping cost of your order in the shopping cart screen.
Das Effekt der Veralterung verleiht dem Bild eine unvergleichliche Anmut, Autentizität und Adel. Mit diesem Aussehen können die Handgemalte Kunstreproduktionen jedem Interieur einen einzigartigen, neuen Stil geben.
Der Prozess der Veralterung des Bildes ist völlig mit der Technologie der Ölmalerei kompatibel und beschädigt auf keine Weise ihre Oberfläche. Da das Effekt der Veralterung ein Firmengeheimnis ist, hoffen wir, dass Sie die Vorenthaltung weiterer Informationen über die Beschreibung der Technologie verzeihen.
Siehe Beispiele von Gemälde-Reproduktionen in unserem Studio gealtert und spröde.
In 1498, Leonardo probed into incorporating these figures together by drawing the Burlington House Cartoon (National Gallery, London), which included all three figures in addition to an infant St John the Baptist. An earlier cartoon exhibited in Santissima Annunziata in 1501 is now lost.
Ultimately, this painting would emerge during the later years of his life, when he was occupied with an interest in mathematics and other pursuits, its rocky landscape betraying his interest in geology. The demands of his other interests may have forced him to leave this painting incomplete.
In addition to the symbolism of Christ playing with the lamb discussed above, Fra Pietro da Novellara, a Vice General of the Carmelite Order, saw a further layer of symbolic significance to the painting. He believed that St Anne's serene expression, in contrast with Mary's anxiety for her child, "perhaps stands for the Church that does not want to have the Passion of Christ prevented".
The painting's pyramidal structure influenced Raphael and Andrea del Sarto. Its composition inspired two High Renaissance sculptures, one by Andrea Sansovino (S. Agostino, Rome) and another, less successful work by Francesco da Sangallo (Orsanmichele, Florence).
Sigmund Freud undertook a psychoanalytic examination of Leonardo in his essay Leonardo da Vinci, A Memory of His Childhood. According to Freud, the Virgin's garment reveals a vulture when viewed sideways. Freud claimed that this was a manifestation of a "passive homosexual" childhood fantasy that Leonardo wrote about in the Codex Atlanticus, in which he recounts being attacked as an infant in his crib by the tail of a vulture. He translated the passage thus:
It seems that I was always destined to be so deeply concerned with vultures for I recall as one of my very earliest memories that while I was in my cradle a vulture came down to me, and opened my mouth with its tail, and struck me many times with its tail against my lips.
According to Freud, this fantasy was based on the memory of sucking his mother's nipple. He backed up his claim with the fact that Egyptian hieroglyphs represent the mother as a vulture, because the Egyptians believed that there are no male vultures and that the females of the species are impregnated by the wind.
Unfortunately for Freud, the word 'vulture' was a mistranslation by the German translator of the Codex and the bird that Leonardo imagined was in fact a kite. This disappointed Freud because, as he confessed to Lou Andreas-Salome, he regarded Leonardo as 'the only beautiful thing I have ever written'. Some Freudian scholars have, however, made attempts to repair the theory by incorporating the kite.
Another theory proposed by Freud attempts to explain Leonardo's fondness of depicting the Virgin Mary with St Anne. Leonardo, who was illegitimate, was raised by his blood mother initially before being 'adopted' by the wife of his father Ser Piero. The idea of depicting the Mother of God with her own mother was therefore particularly close to Leonardo's heart, because he, in a sense, had 'two mothers' himself. It is worth noting that in both versions of the composition (the Louvre painting and the London cartoon) it is hard to discern whether St Anne is a full generation older than Mary.
Garten: Wiese in der Blüte, c.1935
Manda Lametrie, Bauernmädchen, 1887
Alfred Philippe Roll
Einer der Heiligen Drei Könige: Gaspar, c.1618
Peter Paul Rubens
Einer der Heiligen Drei Könige: Melchior, c.1618
Peter Paul Rubens
Charles X Verteilung von Preisen nach dem Salon von 1824, 1827
Andrieux, das seine Tragödie Junius Brutus in Comédie Française, 1847
Belagerung von Burgos Schloß, 1813
Virgin and Child with St. Anne, c.1502/13
Louvre Museum Paris France
Originalgröße:168.5 x 130 cm
Gemälde Reproduktion sind vollständig handgemalt mit Öl auf leere leinwand.
Erzeugung Zeit:Ihre Leonardo da Vinci Handgemalte Reproduktion must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of 3-4 weeks for creation of the painting.
Versand:We not frame oil painting reproductions. The Handgemalte Reproduktion is expensive product and the risk of damages during transport of stretched on a frame painting is too high.Virgin and Child with St. Anne" by da Vinci is unframed and will be shipped rolled up in postal tube.
You can check the estimate shipping cost of your order in the shopping cart screen.
We create our paintings only with museum quality. Our Academically educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.