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Gemälde Titel:The Triumph of Death, c.1562
Künstler:Pieter Bruegel the Elder (c.1525-1569)
Prado Museum Madrid Spain
Originalgröße:117 x 162 cm
Technik:Ihre "The Triumph of Death" Leinwand Kunstdruck individually handmade using sophisticated digital technology. The Giclee printing process gives the Art Print a vivid, pure colour, incredible details and the authentic charm of a museum original.
Produktionszeit:If you have chosen Bruegel the Elder Leinwand Kunstdruck without a frame, it will be ready for shipping within 2-3 days. However, if you have chosen a framed painting, the framing process will take around 7-8 days.
Größen:Our Art Prints are offered in sizes in exact proportions as the original paintings in the museums. You can increase or decrease the size, using purple-up or down arrows, located under the image of the painting. We add additional 3cm blank canvas around the offered size for stretching.
Versand:The unframed "The Triumph of Death" will be shipped rolled up in postal tube. The framed Leinwand Kunstdruck travel packed in a cardboard box. Due to postal restrictions, we do not frame paintings, when the length of the artwork is greater than 28" (71cm). You can check the estimate shipping cost for your order in the shopping cart screen.
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maximale format für bilderrahmen: 20/27.95 zoll
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In relation to the print Dulle Griet, 1564, this work may be dated between 1560 and 1566-69. The subject is derived from the Apocalypse and Ecclesiastes, but is not religious in intent or theme. It was conceived and executed for an emphatically secular reason. It is in fact connected with the massacres under the Spanish domination, and the "beggars" revolt. The work, like others, was inspired by their resistance. The oppressors, too, are snatched up by death. Companies of the dead crowd around the wagon into which a howling mob is chased by Death on horseback; even kings and cardinals are carried off in the end. There are cadavers everywhere, spectres and skeletons in heaps, while in the background battles and fires rage, and on the right, gallows with their hanging burdens rise against the sky. There is no verbal equivalent for these images; in the apparent tangle, each detail is clear - a single voice in the terrible chorus. The images are locked in a composition which advances in great successive "compass turns" from the epicenter on the left towards the right, like a calculated landslide. It is reinforced by all the convergences from above and below, in an immediate and decided knot, so that there is nothing episodic in the many elements of the scene; the concentration is intense and absorbing. It is difficult to forget the scorching tragic climate that the artist has caught in this exceptional work.