Netherlandish Proverbs, 1559 von Bruegel the Elder| Ölgemälde Reproduktion
Ihre gemälde-reproduktion kann alt und spröde wie das museumsoriginal gemacht werden.
Sie können alt antiquarisch aussehende von der button unter dem bild des gemäldes.
Free WorldWide Standard Shipping (10-14 business days) $0.00 USD
EMS (4-5 business days)
FedEx (2 business days)
The cost of priority and express delivery depends on weight and destination. You can check the estimate shipping cost of your order in the shopping cart screen.
Gemälde Titel:Netherlandish Proverbs, 1559
Künstler:Pieter Bruegel the Elder (c.1525-1569)
Gemaldegalerie Berlin Germany
Originalgröße:117 x 163 cm
Gemälde Reproduktion sind vollständig handgemalt mit Öl auf leere leinwand.
Erzeugung Zeit:Ihre Bruegel the Elder Handgemalte Reproduktion must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of 3-4 weeks for creation of the painting.
Versand:We not frame oil painting reproductions. The Handgemalte Reproduktion is expensive product and the risk of damages during transport of stretched on a frame painting is too high.Netherlandish Proverbs" by Bruegel the Elder is unframed and will be shipped rolled up in postal tube.
You can check the estimate shipping cost of your order in the shopping cart screen.
We create our paintings only with museum quality. Our Academically educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
Netherlandish Proverbs (also called The Blue Cloak or The Topsy Turvy World) is a 1559 oil-on-oak-panel painting by Pieter Bruegel the Elder which depicts a land populated with literal renditions of Flemish proverbs of the day. The picture is overflowing with references and most of the representations can still be identified; while many of the proverbs have either been forgotten or never made the transition to the English language, some are still in use. Proverbs were popular during Brueghel's time: a number of collections were published including a famous work by Erasmus. Frans Hogenberg had produced an engraving illustrating about 40 proverbs in around 1558 and Brueghel himself had painted a collection of Twelve Proverbs on individual panels by 1558 and had also produced Big Fish Eat Little Fish in 1556, but Netherlandish Proverbs is thought to be the first large scale painting on the theme. Rabelais depicted a land of proverbs in his novel Pantagruel soon after in 1564.
Bruegel's paintings have themes of the absurdity, wickedness and foolishness of mankind, and this painting is no exception. The picture was originally entitled The Blue Cloak or the Folly of the World which indicates he was not intending to produce a mere collection of proverbs but rather a study of human stupidity. Many of the people depicted show the characteristic blank features which Breughel used to portray fools. His son, Pieter Brueghel the Younger, specialised in making copies of his father's work, and painted up to twenty copies of Netherlandish Proverbs.
There are around 100 identifiable idioms in the scene (although Breugel may have included others). Some are still in use today, amongst them: "swimming against the tide", "big fish eat little fish", "banging one's head against a brick wall" and "armed to the teeth", and there are some that are familiar if not identical to the modern English usage, such as "casting roses before swine". Many more have faded from use or have never been used in English, "having one's roof tiled with tarts" for example which meant to have an abundance of everything and was an image Breughel would later feature in his painting of the idyllic Land of Cockaigne . The Blue Cloak referred to in the painting's original title is being placed on the man in the centre of the picture by his wife. This was indicative that she was cheating on him. Other proverbs indicate mankind's foolishness: a man fills in a pond after his calf has died, just above the central figure of the blue-cloaked man another man carries daylight in a basket. Some of the figures seem to represent more than one figure of speech (whether this was Brueghel's intention or not is unknown), such as the man shearing a sheep in the centre bottom left of the picture. He is sat next to a man shearing a pig, so represents the expression "one shears sheep and one shears pigs" meaning that one has the advantage over the other, but he may also represent the advice "shear them but don't skin them" meaning make the most of your assets.
Das Effekt der Veralterung verleiht dem Bild eine unvergleichliche Anmut, Autentizität und Adel. Mit diesem Aussehen können die Handgemalte Kunstreproduktionen jedem Interieur einen einzigartigen, neuen Stil geben.
Der Prozess der Veralterung des Bildes ist völlig mit der Technologie der Ölmalerei kompatibel und beschädigt auf keine Weise ihre Oberfläche. Da das Effekt der Veralterung ein Firmengeheimnis ist, hoffen wir, dass Sie die Vorenthaltung weiterer Informationen über die Beschreibung der Technologie verzeihen.
Siehe Beispiele von Gemälde-Reproduktionen in unserem Studio gealtert und spröde.
Girl before a Mirror, March 1932
Pablo Picasso (inspired by)
A Sunday on La Grande Jatte, c.1884/86
American Gothic, 1930
The Scream, 1893
The Scream, 1910
Sir Edward Poynter
Jaffa, Recruiting of Turkish Soldiers in Palestine, 1888