The Cafe Terrace on the Place du Forum, Arles, 1888 von Vincent van Gogh| Ölgemälde Reproduktion
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Gemälde Titel:The Cafe Terrace on the Place du Forum, Arles, 1888
Künstler:Vincent van Gogh (1853-1890)
Kroller-Mueller Museum Otterlo Netherlands
Originalgröße:81 x 65.5 cm
Gemälde Reproduktion sind vollständig handgemalt mit Öl auf leere leinwand.
Erzeugung Zeit:Ihre Vincent van Gogh Handgemalte Reproduktion must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of 3-4 weeks for creation of the painting.
Versand:We not frame oil painting reproductions. The Handgemalte Reproduktion is expensive product and the risk of damages during transport of stretched on a frame painting is too high.The Cafe Terrace on the Place du Forum, Arles" by Gogh is unframed and will be shipped rolled up in postal tube.
You can check the estimate shipping cost of your order in the shopping cart screen.
We create our paintings only with museum quality. Our Academically educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
Cafe Terrace at Night, also known as The Cafe Terrace on the Place du Forum, is an oil painting executed by the Dutch artist Vincent van Gogh on an industrially primed canvas of size 25 (Toile de 25 figure) in Arles, France, mid September 1888. The painting is not signed, but described and mentioned by the artist in his letters on various occasions and, as well, there is a large pen drawing of the composition which originates from the artist's estate.
Still today, visitors of the site can take the place at the north eastern corner of the Place du Forum where the artist set up his easel. He looked south towards the artificially lighted terrace of the popular coffee house as well as into the enforced darkness of the rue leading up to the building structure far back comprising the town house (to the left, not pictured) and, beyond this structure, the tower of a former church (now Musee lapidaire). Towards the right, Van Gogh indicated a shop lighted as well, and some branches of the trees surrounding the place but he omitted the remainders of the roman monuments just aside this little shop.
After finishing Cafe Terrace at Night, Van Gogh wrote a letter to his sister expressing his enthusiasm:
"I was only interrupted by my work on a new painting representing the exterior of a night cafe . On the terrace there are small figures of people drinking. An immense yellow lantern illuminates the terrace, the facade, the side walk and even casts light on the paving stones of the road which take a pinkish violet tone. The gables of the houses, like a fading road below a blue sky studded with stars, are dark blue or violet with a green tree. Here you have a night painting without black, with nothing but beautiful blue and violet and green and in this surrounding the illuminated area colours itself sulfur pale yellow and citron green. It amuses me enormously to paint the night right on the spot. Normally, one draws and paints the painting during the daytime after the sketch. But I like to paint the thing immediately. It is true that in the darkness I can take a blue for a green, a blue lilac for a pink lilac, since it is hard to distinguish the quality of the tone. But it is the only way to get away from our conventional night with poor pale whitish light, while even a simple candle already provides us with the richest of yellows and oranges."
Van Gogh used oil paint on canvas and the painting is 81/65.5 cm (32"/26").
When exhibited for the first time, in 1892, the painting was entitled Coffeehouse, in the evening (Cafe, le soir)
This is the first painting in which he used starry backgrounds. He went on to paint star filled skies in Starry Night Over the Rhone, painted the same month, and the better known Starry Night a year later. Also, in Portrait of Eugene Boch Van Gogh painted a starlight background.
Das Effekt der Veralterung verleiht dem Bild eine unvergleichliche Anmut, Autentizität und Adel. Mit diesem Aussehen können die Handgemalte Kunstreproduktionen jedem Interieur einen einzigartigen, neuen Stil geben.
Der Prozess der Veralterung des Bildes ist völlig mit der Technologie der Ölmalerei kompatibel und beschädigt auf keine Weise ihre Oberfläche. Da das Effekt der Veralterung ein Firmengeheimnis ist, hoffen wir, dass Sie die Vorenthaltung weiterer Informationen über die Beschreibung der Technologie verzeihen.
Siehe Beispiele von Gemälde-Reproduktionen in unserem Studio gealtert und spröde.
Girl before a Mirror, March 1932
Pablo Picasso (inspired by)
A Sunday on La Grande Jatte, c.1884/86
American Gothic, 1930
The Scream, 1893
The Scream, 1910
Sir Edward Poynter
Jaffa, Recruiting of Turkish Soldiers in Palestine, 1888
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