Hand-Painted Fine Art Reproductions of Famous Paintings

The National Gallery of Victoria is an art gallery and museum in Melbourne, Australia. Founded in 1861, it is the oldest and the largest public art gallery in Australia.
At that time the gallery began, Victoria had been an independent colony for just ten years, but in the wake of the gold rush it was easily the richest part of Australia, and Melbourne the largest city. Generous gifts from wealthy citizens, notably industrialist Alfred Felton, made it possible for the National Gallery to begin buying a large collection of overseas works from both old and modern masters.
Collection
In the International Collection there are also works by: Gian Lorenzo Bernini, Marco Palmezzano, Rembrandt, Peter Paul Rubens, Giovanni Battista Tiepolo, Tintoretto, Paolo Uccello, and Paolo Veronese, amongst others. In the Modern collection, the gallery has continued to expand into new areas, becoming an early leader in textiles, fashion, photography, and Australian Aboriginal art. Today it has strong collections in areas as diverse as old masters, Greek vases, and historical European ceramics, and the largest and most comprehensive range of artworks in Australia.
As a "National Gallery"
The gallery's name has caused some confusion over the years, as Victoria is not, and never has been a nation, but a state of Australia, and there is also the National Gallery of Australia (NGA) in Canberra. Some people such as the chairman of the NGA have called for the NGV to be renamed, perhaps to "Melbourne Gallery". However, the NGV was founded some 40 years before the founding of the Commonwealth of Australia, when Victoria was a self governing British colony; the name alludes to that period, when Victoria was a discrete political entity. It was also established more than a century before the National Gallery in Canberra. According to Victorian Premier Steve Bracks, "We won't be renaming the National Gallery of Victoria. It has a great tradition. It is the biggest and best gallery in the country and it's one of the biggest and best in the world."
Ian Potter Centre and NGV International
In 1959 the commission to design a new gallery and cultural centre was awarded to the architectural firm Grounds Romberg Boyd. In 1962 Roy Grounds split from his partners Frederick Romberg and Robin Boyd, retained the commission, and designed the gallery at 180 St Kilda Road (now known as NGV International). He subsequently designed the adjacent Victorian Arts Centre.
The gallery is now spread over two buildings a short distance from each other at the southern end of the CBD. A new space, The Ian Potter Centre, in Federation Square opened in 2003 and houses the Australian art collection. Grounds' building just south of the Yarra River now houses the international collection. It reopened in December 2003 after four years of renovations by architect Mario Bellini).
The iconic Angel sculpture by Deborah Halpern was removed to be restored and relocated to Birrarung Marr. The Australian collection includes a large collection of works donated by Dr. Joseph Brown in 2004, which forms the Joseph Brown Collection.
Picasso theft
A famous event in the history of the gallery was the theft of Pablo Picasso's painting "Weeping Woman" in 1986 by a person or group who identified themselves as the "Australian Cultural Terrorists". The group took the painting to protest the perceived poor treatment of the arts by the state government of the time and sought as a ransom the establishment of an art prize for young artists. The painting was returned in a railway locker a week afterwards.
Blockbusters
The National Gallery of Victoria has held several large exhibitions known as blockbusters, starting with the Impressionists in 2004, and an exhibition of Dutch masters in winter 2005 with Vermeer's painting The Love Letter from the Rijksmuseum in Amsterdam exhibited among many others. It was the first time a Vermeer painting had been exhibited in Australia.
Opening on 30 June 2006, until 8 October 2006, is an exhibition of over 300 Picasso illustrations and paintings from the years 1935-1945. Curated by Anne Baldassari, Director of the Musée Picasso, Paris.