Nude Torso in the Sunlight (Torso of Anna), c.1875/76 Oil Painting Reproduction Location: Musee d'Orsay Paris France
Pierre-Auguste Renoir (1841-1919)
Original Size: 81 x 65 cm
Oil Painting ReproductionSKU: RPA-1877
Painting Size: $491.00
Painted by Academy Graduated European Artists
+ 4cm (1.6") Borders for Stretching
Creation time: 6-7 weeks
Medium:This painting reproduction will be completely painted by hand with artist grade oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.
The Time it Takes to be Created:To paint your Pierre-Auguste Renoir Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 6-7 weeks to make the painting.
Should a change of deadlines become necessary, or should your order arrive at a time when we are overloaded with work, then we will notify you by e-mail concerning how much time we would need to complete your painting reproduction.
Shipping:We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. Nude Torso in the Sunlight (Torso of Anna) by Renoir is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
You can check the price for shipping of the order on the shopping cart screen.
The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
Painters have always enjoyed painting women, whether nude or fully clothed, but different generations have had different ideas about how they should be portrayed. Boucher's sensual nudes, painted in the 18th century, were admired because they were "ideal" women masquerading as classical nymphs and goddesses. But Courbet's "real" women, with their commonplace features and contemporary dress, were considered vulgar by the 19th-century critics. Renoir admired Courbet's realism but he also loved what he termed the "racy and dignified" women who inhabited Boucher's artificial world.
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