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Appearance of St. Peter to St. Peter Nolasco, 1629 by Zurbaran

Oil Painting Reproduction
Oil Painting Reproduction
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Creation time: 4-5 weeks
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Appearance of St. Peter to St. Peter Nolasco, 1629 | Zurbaran | Painting Reproduction
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Painting Title:

Appearance of St. Peter to St. Peter Nolasco, 1629


Francisco de Zurbaran (1598-1664)


Prado Museum Madrid Spain



Original Size:

179 x 223 cm


This painting reproduction will be completely painted by hand with oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.

The Time it Takes to be Created:

To paint your Zurbaran Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 4-5 weeks to make the painting.
Should a change of deadlines become necessary, or should your order arrive at a time when we are overloaded with work, then we will notify you by e-mail concerning how much time we would need to complete your painting reproduction.


We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. Appearance of St. Peter to St. Peter Nolasco by Zurbaran is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
You can check the price for shipping the order on the shopping cart screen.

The reproduction of a painting with oil on a canvas - the process of painting in pictures step by step
The paintings we create are only of museum quality. Our academically trained artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Reviews (1)

Topic: Appearance of St. Peter to St. Peter Nolasco, 1629 by Zurbaran
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Zurbaran - The Apostle Peter Appearing to St. Peter Nolasco

This work from Zurbaran's maturity is perhaps the most intensely lyrical of those composing his religious cycles. The bare simplicity of the composition reflects the criteria and solutions indicated in such works as Still-life, already discussed. Here are only two figures against an immense, closed background, and two summary diagonals, one from right to left, towards the crucified Apostle; the other from left to right, formed by his open arms, which provide a rapid penetrating movement. Corresponding to this last movement are the arms of St. Peter Nolasco open in adoration.

The situation is like an unexpected explosion, and it is concentrated in a vision caught at its most forceful moment in an indescribable and marvellous instant. Continuing the Caravaggesque mode, simplified forms in pure volumes are revealed by a miraculous beam of light.

Leaving aside any traditional models, and interpreting the narrative in a highly individual way, the artist creates the immediate and compelling image of the two figures. He arrests the sharp feeling not so much of an exceptional event as of the impossibility or incredibility of a miracle. This he does in a suspended tension that is established in the descent of the Apostle Peter, with his aura of light, and in the sudden gesture of St. Peter Nolasco, who appears to have just fallen to his knees after having witnessed the incredible descent. The manner of painting almost annuls his presence, at least as a physical or apparent presence in the eyes of the observer; it suggests a precipitous sublimation, a point of transport, of a transfiguring, lyrical, mystical exaltation that is beyond any situation and any time.
20th December 2015 12:40pm

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