Orazio Gentileschi Biography1563-1639
Italian Baroque Painter
Orazio Lomi de Gentileschi was born in Pisa to a family of Florentine origin. It appears that De Gentileschi was his correct surname, Lomi being the surname which his mother had borne during her first marriage. He studied under his half-brother Aurelio Lomi, whom in course of time he surpassed.
In the late 1570s or early 1580s Gentileschi moved to Rome, and was associated with the landscape-painter Agostino Tassi, executing the figures for the landscape backgrounds of this artist in the Palazzo Rospigliosi, and it is said in the great hall of the Quirinal Palace, although by some authorities the figures in the last-named building are ascribed to Giovanni Lanfranco. He worked also in the churches of Santa Maria Maggiore, San Nicola in Carcere, Santa Maria della Pace and San Giovanni in Laterano.
However, Gentileschi's main influence starting from the early 17th century was Caravaggio, also in Rome at the time, whose style he was one of the best followers of. Sharing with the former the shadowy character, he took part to several adventures in the Rome's streets, and in 1603 he was called as witness in the process against Caravaggio. In 1612 he was again called to the Tribunal of Rome, this time to speak against Tassi, charged of the rape of his daughter Artemisia. After Caravaggio's flee from Rome, Gentileschi developed a more personal Tuscan lyciricsm, characterized by lighter colours and precision in details reminiscent of his Mannerist berginnings. After a long sojourn in the Marche, in the early 1620s Gentileschi went to Genoa, and then to Paris, at the court of Marie de Medici.
In 1626 he left France to work for Charles I of England, where he remained for the rest of his life. His works became increasingly conventional and decorative, but were appreciated by the local aristocracy for their classicism. Van Dyck included him in his portraits of a hundred illustrious men.
Gentileschi died in 1639 in London.
Gentileschi's best works are Saints Cecilia and Valerian, in the Galleria Borghese of Rome; David after the death of Goliath (c. 1610), in the Palazzo Doria, Genoa; and some works in the royal palace, Turin, noticeable for vivid and uncommon coloring. The Annunciation (1623), painted in Genoa and now in the Galleria Sabauda of Turin, is considered by several authorities his masterpiece. Its plenty of graceful details, as well as the total absence of the earlier chiaroscuro, show the lessening of Caravaggio's influence at the time.
The main work of the English period was a series of ceiling paintings at the palace at Greenwich, now in Marlborough House, London.