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/ Equestrian Portrait of Don Gaspar de Guzman Count-Duke of Olivares, 1635

Equestrian Portrait of Don Gaspar de Guzman Count-Duke of Olivares, 1635 von Velazquez

| Ölgemälde Reproduktion


5/5 | 1 Review

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Gemälde Titel:

Equestrian Portrait of Don Gaspar de Guzman Count-Duke of Olivares, 1635

Künstler:

Diego Rodriguez de Silva Velazquez (1599-1660)

Standort:

Prado Museum Madrid Spain


Originalgröße:

313 x 239 cm

SKU:

VDZ-1044-1074

Technik:

Gemälde Reproduktion sind vollständig handgemalt mit Öl auf leere leinwand.


Erzeugung Zeit:

Ihre Velazquez Handgemalte Reproduktion must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of 3-4 weeks for creation of the painting.

Versand:

We not frame oil painting reproductions. The Handgemalte Reproduktion is expensive product and the risk of damages during transport of stretched on a frame painting is too high.Equestrian Portrait of Don Gaspar de Guzman Count-Duke of Olivares" by Velazquez is unframed and will be shipped rolled up in postal tube.
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Equestrian Portrait of Don Gaspar de Guzman Count-Duke of Olivares, 1635 | Velazquez | Gemälde Reproduktion
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Reviews (1)

Topic: Equestrian Portrait of Don Gaspar de Guzman Count-Duke of Olivares, 1635 by Velazquez
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Gygy
The Count-Duke de Olivares on Horseback
The picture commemorates the royal favourite and minister and political author of Philip IV's victories. We see here the Count-Duke seated on his rearing horse. In the background, on the left, there is an infantry battle. The position of the horse, in the classical and humanist tradition, and the commanding pose of the figure, as in other equestrian portraits, are conventions imposed by the theme. But in carrying it out, the artist transformed and individualized its character. Starting from the sword, and passing through the arm and baton of command, a rapid zigzag is traced, which sums up the broken movement of the figure and the axis of the entire picture, from below to above and from one end to the other: and mobilizes it completely, aided by all the other indications of movement. A feeling of motion animates every phase and every point and is echoed in the landscape which is dramatically rich in changes in level and in raking light and shade, as well as in the sky, full of tumultuous clouds and torn by luminous breaks. The smoking battle adds a sharp, even tragic note to the breathless action of the composition, which is coherently accompanied by the bursts of colour and by the broken and unexpected patterns of the brushwork.
16th March 2014 11:50pm

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