Portrait of Adele Bloch-Bauer I, 1907 von Klimt| Ölgemälde Reproduktion
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Gemälde Titel:Portrait of Adele Bloch-Bauer I, 1907
Künstler:Gustav Klimt (1862-1918)
Originalgröße:138 x 138 cm
Gemälde Reproduktion sind vollständig handgemalt mit Öl auf leere leinwand.
Erzeugung Zeit:Ihre Klimt Handgemalte Reproduktion must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of 3-4 weeks for creation of the painting.
Versand:We not frame oil painting reproductions. The Handgemalte Reproduktion is expensive product and the risk of damages during transport of stretched on a frame painting is too high.Portrait of Adele Bloch-Bauer I" by Klimt is unframed and will be shipped rolled up in postal tube.
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We create our paintings only with museum quality. Our Academically educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
Portrait of Adele Bloch-Bauer I is a painting by Gustav Klimt completed in 1907. According to press reports it was sold for US$135 million to Ronald Lauder for his Neue Galerie in New York City in June 2006, which would make it at that time the most expensive painting ever sold. It has been on display at the gallery since July 2006.
Klimt took three years to complete the painting. It measures 138 x 138 cm and is made of oil and gold on canvas, showing elaborate and complex ornamentation as seen in the Jugendstil style. Klimt was a member of the Vienna Secession, a group of artists that broke away from the traditional way of painting. The picture was painted in Vienna and commissioned by Ferdinand Bloch-Bauer. As a wealthy industrialist who had made his fortune in the sugar industry, he sponsored the arts and favored and supported Gustav Klimt. Adele Bloch-Bauer became the only model who was painted twice by Klimt when he completed a second picture of her, Adele Bloch-Bauer II, in 1912.
Adele Bloch-Bauer had indicated in her will that Klimt's paintings should be donated to the Austrian State Gallery. She died in 1925 from meningitis. When the Nazis took over Austria, her widowed husband had to flee to Switzerland. His property, including the Klimt paintings, was confiscated. In his 1945 testament, Bauer-Bloch designated his nephew and nieces, including Maria Altmann, as the inheritors of his estate.
As Bloch-Bauer's pictures had remained in Austria, the government took the position that the testament of Adele Bloch-Bauer had determined that these pictures were to stay there. After a protracted court battle in the United States and in Austria (see Republic of Austria v. Altmann), binding arbitration by the Austrian court established in 2006 that Maria Altmann was the rightful owner of this and four other paintings by Klimt. The decision was received in Austria with dismay. After the pictures were sent to America, they were on display in Los Angeles in 2006 before the portrait of Adele Bloch-Bauer was sold to Lauder.
The painting will be a centerpiece in Ronald Lauderâ€™s collection for his Neue Gallerie in New York. This collection has for years attempted to recover Jewish-owned art, mostly from Germany and Austria, that had been confiscated or looted by the Nazi government. Lauder worked towards this goal while he was the US ambassador to Austria, as a member of the â€œWorld Jewish Restitution Organization", and as a member of a Clinton commission to examine cases of Nazi looting. Lauderâ€™s comment on the acquisition for his Neue Gallerie collection: â€œThis is our Mona Lisaâ€.
In June 2006 New York's Neue Galerie is reported to have paid $135m for the fifth looted Klimt portrait, Adele Bloch-Bauer I. Adele Bloch-Bauer II sold for almost $88m in November 2006 at Christie's.
Das Effekt der Veralterung verleiht dem Bild eine unvergleichliche Anmut, Autentizität und Adel. Mit diesem Aussehen können die Handgemalte Kunstreproduktionen jedem Interieur einen einzigartigen, neuen Stil geben.
Der Prozess der Veralterung des Bildes ist völlig mit der Technologie der Ölmalerei kompatibel und beschädigt auf keine Weise ihre Oberfläche. Da das Effekt der Veralterung ein Firmengeheimnis ist, hoffen wir, dass Sie die Vorenthaltung weiterer Informationen über die Beschreibung der Technologie verzeihen.
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