Actual Image Size: $51.78
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Painting Title:Prince Baltasar Carlos on Horseback, c.1635/36
Artist:Diego Rodriguez de Silva Velazquez (1599-1660)
Prado Museum Madrid Spain
Original Size:209 x 173 cm
Medium:Your "Prince Baltasar Carlos on Horseback" Canvas Print individually handmade using sophisticated digital technology. The Giclee printing process gives the Art Print a vivid, pure colour, incredible details and the authentic charm of a museum original.
Production Time:If you have chosen Velazquez Canvas Print without a frame, it will be ready for shipping within 2-3 days. However, if you have chosen a framed painting, the framing process will take around 7-8 days.
Sizes:Our Art Prints are offered in sizes in exact proportions as the original paintings in the museums. You can increase or decrease the size, using purple-up or down arrows, located under the image of the painting. We add additional 1.2" (3cm) blank canvas around the offered size for stretching.
Shipping:The unframed "Prince Baltasar Carlos on Horseback" will be shipped rolled up in postal tube. The framed Canvas Print travel packed in a cardboard box. Due to postal restrictions, we do not frame paintings, when the length of the artwork is greater than 28" (71cm). You can check the estimate shipping cost for your order in the shopping cart screen.
You can proportionally increase or decrease the size by your own choice.
max size for framing: 27.95/23.18 inches
Girl with a Vase, undated
Sir Edward Poynter
Jaffa, Recruiting of Turkish Soldiers in Palestine, 1888
Nympheas - Morning (Detail), c.1920/26
Mrs. George Oswald, c.1770/74
Gabriel Cornelius von Max
Waterloo Bridge - Overcast Skies, 1903
Painted between 1634 and 1635, the composition is intended to be immediately and swiftly perceived. There is the general diagonal disposition from lower right to upper left, and the dynamic reversed curves of the horse; and in the middle the young prince in ceremonial dress: star-shaped with rays projecting to the horse's mane, harness and tail. The whole explodes against the oblique hollow of a steep-sided valley and in the distance a receding mountain widens the background that fans out under a coruscating sky, where grey and white clouds pile on top of one another. The stylistic themes are an assembly of headlong, fugitive motifs, made concrete by the brush-work. This is divided, directed, flying and sometimes (as in many other paintings by the master) reaching the point of broken impastos, thrown directly on the canvas for passionate, accidental effects.