Actual Painted Size: $407.00 ...:
We can make your art reproduction to look aged and cracked as the museum original.
You can select the aged look effect from the menu under the image of the painting.
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The effect of ageing gives one painting the charm of authentic and noble appearance. Such a art reproduction can add to any interior a unique look and a style.
The process of ageing of paintings completely conforms to the technology of oil painting.
See examples of art reproductions aged in our studio.
Dog Guarding Game near a Rose Bush, 1724
Bonne, Nonne and Ponne, c.1702
Self-Portrait as a Hunter, 1699
Dog Stopped in Front of a Pheasant, undated
Diane and Blonde, 1702
Pompée and Florissant, the Dogs of Louis XV, 1739
Two Horses in a Meadow near a Gate, 1649
Painting Title:The Cardinal, c.1510
Artist:Raffaello Sanzio Raphael (1483-1520)
Prado Museum Madrid Spain
Original Size:79 x 61 cm
Painting Reproduction completely hand-painted with oil on blank linen canvas.
Creation Time:Your Raphael Hand-Painted Art Reproduction must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of several weeks for creation of the painting.
Shipping:We not frame oil painting reproductions. The Hand-Painted Art Reproduction is expensive product and the risk of damages during transport of stretched on a frame painting is too high. "The Cardinal" by Raphael is unframed and will be shipped rolled up in postal tube.
You can check the estimate shipping cost of your order in the shopping cart screen.
We create our paintings only with museum quality. Our academy educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
Masterpiece of Raphael's portrait painting in the first years of his activity in Rome, it is considered contemporary with the Stanza della Segnatura. In particular it is comparable to the fresco of Julius II, in the guise of Gregory IX, approving the decretals delivered to him by St. Raymond of Pennafort - a fresco that cannot be dated after 1511. Raphael's vocation for portraiture was revealed in his earliest work. In the frescoes of the Vatican Stanzas - that poem of human spirituality - numerous portraits of friends and famous personalities of the time appear as historical figures of the past. But despite innumerable suggestions by scholars (the candidates most frequently proposed are Alidosi and Ippolito d'Este), the impenetrable face of this cardinal has managed to maintain its incognito. The impression made by those sealed lips becomes emblematic of the history of this memorable image, which out of its anonymity attains the universality of a human type: the calculating and enigmatic diplomat.
The formal means by which the figure of the cardinal is achieved verges on overstatement. It has been observed that the composition consists of two inverted pyramids joined at their apexes, and shows that play of volumes as perfect forms, almost an obsession in Renaissance painting. And other subtle harmonies have been noted in the play of line that defines the face and the hat. Certainly the impression created of a sense of incorruptible matter - the stuff of which the image is made - emphasizes admirably the inflexible spirituality that must have emanated from the illustrious, aristocratic model.