Actual Painted Size: $465.00 ...:
We can make your art reproduction to look aged and cracked as the museum original.
You can select the aged look effect from the menu under the image of the painting.
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The price for priority and express shipping depends on the weight, the volume, and the destination of the parcel. You can check the shipping cost of your order in the shopping cart screen.
The effects of ageing and antiqueness impart to a painting the charm of authenticity and nobility. Thus, a reproduction of a painting would impart unique style and appearance to any interior.
The process of making our painting reproductions look old and cracked is in absolute conformity with the technology of oil painting, and in no way does it damage the painting.
Please see some examples of art reproductions that have been made to look old in our studio.
White Flag by Jasper Johns, 1966
Portrait of a Young Man (Possibly Francesco Maria della Rovere), 1514
Raffaello Sanzio Raphael
Far, Far Away Soria Moria Palace Shimmered Like Gold, 1900
Theodor Severin Kittelsen
Man at his Bath, 1884
At a Café, 1880
Portrait of Richard Gallo, 1878
The Fields, a Plain in Gennevilliers, 1884
The Cardinal, c.1510
Prado Museum Madrid Spain
Original Size:79 x 61 cm
This painting reproduction will be completely painted by hand with oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.
The Time it Takes to be Created:To paint your Raphael Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 4-5 weeks to make the painting.
Should a change of deadlines become necessary, or should your order arrive at a time when we are overloaded with work, then we will notify you by e-mail concerning how much time we would need to complete your painting reproduction.
Shipping:We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. The Cardinal by Raphael is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
You can check the price for shipping the order on the shopping cart screen.
The paintings we create are only of museum quality. Our academically trained artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
Masterpiece of Raphael's portrait painting in the first years of his activity in Rome, it is considered contemporary with the Stanza della Segnatura. In particular it is comparable to the fresco of Julius II, in the guise of Gregory IX, approving the decretals delivered to him by St. Raymond of Pennafort - a fresco that cannot be dated after 1511. Raphael's vocation for portraiture was revealed in his earliest work. In the frescoes of the Vatican Stanzas - that poem of human spirituality - numerous portraits of friends and famous personalities of the time appear as historical figures of the past. But despite innumerable suggestions by scholars (the candidates most frequently proposed are Alidosi and Ippolito d'Este), the impenetrable face of this cardinal has managed to maintain its incognito. The impression made by those sealed lips becomes emblematic of the history of this memorable image, which out of its anonymity attains the universality of a human type: the calculating and enigmatic diplomat.
The formal means by which the figure of the cardinal is achieved verges on overstatement. It has been observed that the composition consists of two inverted pyramids joined at their apexes, and shows that play of volumes as perfect forms, almost an obsession in Renaissance painting. And other subtle harmonies have been noted in the play of line that defines the face and the hat. Certainly the impression created of a sense of incorruptible matter - the stuff of which the image is made - emphasizes admirably the inflexible spirituality that must have emanated from the illustrious, aristocratic model.