The Annunciation, c.1472/75 by Leonardo da Vinci| Oil Painting Reproduction
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Painting Title:The Annunciation, c.1472/75
Artist:Leonardo da Vinci (1452-1519)
Galleria degli Uffizi Florence Italy
Original Size:98 x 217 cm
Painting Reproduction completely hand-painted with oil on blank linen canvas.
Creation Time:Your Leonardo da Vinci Hand-Painted Art Reproduction must not be rushed as it need time for reaching the high quality and precision and also for getting dry. Depending of the complexity and the details of the painting, we need of 3-4 weeks for creation of the painting.
Shipping:We not frame oil painting reproductions. The Hand-Painted Art Reproduction is expensive product and the risk of damages during transport of stretched on a frame painting is too high. "The Annunciation" by da Vinci is unframed and will be shipped rolled up in postal tube.
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We create our paintings only with museum quality. Our Academically educated European painters never allow compromise with the quality and the details. TOPofART not work with Far East wholesalers with poor quality.
The Annunciation (1472-1475) is a painting by Leonardo da Vinci in the Uffizi Gallery in Florence. It depicts the annunciation by the Archangel Gabriel to the Virgin Mary that she will conceive Jesus Christ and is set in the enclosed courtyard garden of a Florentine villa.
The angel holds a Madonna lily, a symbol of Mary's virginity and of the city of Florence. It is supposed that Leonardo originally copied the wings from those of a bird in flight, but they have since been lengthened by a later artist.
When Annunciation came to the Uffizi in 1867 from the monastery of San Bartolomeo of Monteoliveto, near Florence, it was ascribed to Domenico Ghirlandaio, who was, like Leonardo, an apprentice in the workshop of Andrea del Verrocchio. In 1869, some critics recognized it as a youthful work by Leonardo.
Verrocchio used lead-based paint and heavy brush strokes. He left a note for Leonardo to finish the background and the angel. Leonardo used light brush strokes and no lead. When the Annunciation was x-rayed, Verrocchio's work was evident while Leonardo's angel was invisible.
The marble table in front of the Virgin probably quotes the tomb of Piero and Giovanni de' Medici in the Basilica of San Lorenzo, Florence that was sculpted by Verrocchio in this same period.
The background shows a Harbour scene that is believed to be at Rome.
The effect of ageing gives one painting the charm of authentic and noble appearance. Such a art reproduction can add to any interior a unique look and a style.
The process of ageing of paintings completely conforms to the technology of oil painting.
See examples of art reproductions aged in our studio.