The Holy Women at Christ's Tomb, c.1597/98 Annibale Carracci (1560-1609)
Location: The State Hermitage Museum St. Petersburg RussiaOriginal Size: 121 x 145.5 cm
Oil Painting Reproduction
If you want a different size than the offered
Description
Painted by European Аrtists with Academic Education
Museum Quality
+ 4 cm (1.6") Margins for Stretching
Creation Time: 8-9 Weeks
Creation Process
We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.
We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.
High quality and detailing in every inch are time consuming. The reproduction of Annibale Carracci also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.
In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.
TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.
We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.
You can stretch and frame your painting in your local frame-shop.
Delivery
Once the painting The Holy Women at Christ's Tomb is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.
We offer free shipping as well as paid express transportation services.
After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.
Museum Quality
The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
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According to C. C. Malvasia, a seventeenth-century biographer of Italian artists, the picture was executed for Signor Pasqualino, from whom it passed to Cardinal Giovanni Battista Agucchi. Following his death in 1632, it entered the collection of Cardinal Ascanio Filomarino, the Archbishop of Naples, and later belonged to Duke Delia Torre, Filomarinos nephew. In the eighteenth century it was housed in the Palazzo Delia Torre in Naples and in the early 1800s entered the collection of Lucien Bonaparte, whence it passed on to Coesvelt. In the 1958 Hermitage catalogue, M. Shcherbachova referred the picture to about 1605. D. Posner dates it to 1600. The more correct date, though, would seem to be the one suggested by D. Mahon - 1597/98 - in that the Hermitage canvas bears a greater resemblance to the masters works of that period than to any other, for example to the Christ and the Woman of Samaria (Museum of Fine Arts, Budapest) and the Adoration of the Shepherds (Museum of Fine Arts, Orleans). A canvas similar in composition to the Hermitage piece, but apparently a later copy, is in the City Art Museum, St. Louis, Missouri. In 1973 Thomas Agnew and Sons of London exhibited a picture by Sisto Badalocchio whose compositional arrangement is largely borrowed from Carraccfs Hermitage canvas.
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