Regatta at Argenteuil, 1866 Eugene Boudin (1824-1898)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Eugene Boudin also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Regatta at Argenteuil is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Eugène Boudin's "Regatta at Argenteuil, 1866" invites us into a scene of pure leisure, where nature and society meet on the calm banks of the Seine. A crowd gathers on the grassy shore, not in stiff postures, but relaxed and absorbed in the unfolding spectacle of sailboats cutting through the water. The sky dominates, vast and swirling with clouds, almost like a prelude to Impressionism, its brushwork loose and suggestive, rather than pinning down every detail with obsessive precision. The boats, with their clean sails, slice through the river’s surface, echoing the subtle tension between wind and water.

What grabs you first, though, is the palette - the blues and whites of the boats and sky paired against the cool greens of the land. The colors aren't screaming for attention; they murmur. The whites are not pure, the blues carry a greyish tint, the greens are deep but not overwhelming - everything feels like it’s been filtered through the haze of a warm, lazy afternoon. The way Boudin plays with light is exquisite. The overcast sky might suggest gloom, but instead, it softly spreads light, giving the scene a gentle, almost dreamlike clarity.

Compositionally, the balance is curious. The gathering on the right, thick with figures, contrasts sharply with the openness of the left, where the river stretches out, leading your eyes toward the distant shore. It's a study in tension and release - the density of human activity is balanced by the serenity of nature. Boudin catches the fleeting, the momentary - a true poet of the atmosphere. His brushstrokes are lively but not frantic, precise enough to define forms but free enough to suggest motion.

This is not a grand historical scene, nor an intense emotional drama. Instead, it’s a quiet, observational pause - like a deep breath before a sigh. It’s everyday life caught in a ripple of beauty.