Houses along a Road, c.1881 Paul Cezanne (1839-1906)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Paul Cezanne also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Houses along a Road is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

In "Houses along a Road," Cézanne presents a winding path that beckons the viewer forward, curving gently through a quiet, seemingly deserted village. The road dominates the foreground, its light, almost bleached surface snaking between two stone walls, leading us into a space that feels private yet strangely open. Trees hover above, their foliage rendered in a dense, almost weighty green that contrasts sharply with the sunlit path below. The small red-roofed houses tucked behind walls seem to murmur of human presence, yet no one is there - an intriguing silence, an emptiness suggesting that life has momentarily stepped away.

Cézanne’s color palette is as restrained as it is evocative. The cool greens of the trees and grass, layered with strokes of blue, give the landscape a sense of calm permanence, like something rooted deep within the earth. The houses are painted in muted tones of grey and tan, blending with the stone walls to create a continuity that feels natural, even inevitable. The warm tones of the pathway, meanwhile, draw the eye irresistibly forward, a subtle invitation to explore, to step into the unknown. It’s a color scheme that, while understated, does the quiet work of balancing light and shadow, making the scene feel both immediate and enduring.

Cézanne’s technique, here, is pure, unfiltered Cézanne. His brushwork is vigorous yet controlled, a collection of short, carefully angled strokes that build texture and depth without sacrificing the clarity of form. Each stroke contributes to a sense of solidity; you can almost feel the roughness of the stone wall or the dappled shade cast by the trees. There’s no room for illusion here - Cézanne’s brushstrokes are unapologetically present, a reminder that this is a painting, an object of art. And yet, paradoxically, it is this very presence of the brushstroke that makes the scene feel alive, like something breathing under the artist’s hand.

The composition is deceptively simple, with the road as its backbone, winding through the painting and connecting its disparate elements. The road, in fact, acts as a guide, pulling the viewer’s gaze from the foreground, past the houses, and into the distance. It’s a technique Cézanne returned to often, this motif of the bend in the road - a compositional device that organizes the painting and draws the viewer into its depths without fuss or flourish. But beyond this simple structural role, the road becomes something more: a metaphor for the journey, for movement through space, perhaps even through life. In its subtlety, its quiet tension, this painting speaks of Cézanne’s unique vision, one that sees profound beauty in the everyday and the ordinary.