The Gross Clinic, 1875 | Thomas Eakins | Painting Reproduction
The Gross Clinic, 1875 | Thomas Eakins | Painting Reproduction
Examples of Quality - Video

The Gross Clinic, 1875 Oil Painting Reproduction
Thomas Eakins (1844-1916)

Location: Philadelphia Museum of Art Pennsylvania USA
Original Size: 243.8 x 198.1 cm

Oil Painting Reproduction

SKU: EAT-869
Painting Size: $1122.00
$1122
  Add to Cart
×
Dear Customer,
We are currently overloaded due to working on few major projects with large number of paintings.

As this is time consuming, and we need to be able to deliver the committed paintings on time with the expected quality, we are about to inform you, that we will not accept new orders for oil painting reproductions.
New orders will be processed after the end of November.

Any Canvas Print orders will be fully accepted and delivered on time. You can manage your selection between "Oil Painting" and "Canvas Print" on the top-right of the page.

Here is the time to express how proud with all the above, as we are granted with customers trust and high demanding interest to the paintings we made ourselves.

We sincerely apologies to All of you, who will need to wait in order to use again our high quality services.

If you have any questions, please reach us at: info@topofart.com

Or just subscribe for our newsletter, where we will keep you informed on our full availability:
Entirely Hand-Painted
Painted by Academy Graduated European Artists
Only Museum-Quality
+ 4cm (1.6") Borders for Stretching
Creation time: 6-7 weeks
Ships Free!
×
Free WorldWide Standard Shipping (10-14 business days) $0.00 USD

DHL (3-4 business days)

The price for DHL shipping depends on the weight, the volume, and the destination of the parcel. After adding of the painting to the shopping cart, you can check the price of the shipping services.
If you want a size which is different from the one being offered, please contact us.

Over 20 Years Experience
Only Museum Quality

Medium:

This painting reproduction will be completely painted by hand with artist grade oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.

The Time it Takes to be Created:

To paint your Thomas Eakins Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 6-7 weeks to make the painting.
Should a change of deadlines become necessary, or should your order arrive at a time when we are overloaded with work, then we will notify you by e-mail concerning how much time we would need to complete your painting reproduction.

Shipping:

We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. The Gross Clinic by Thomas Eakins is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
You can check the price for shipping of the order on the shopping cart screen.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Painting Information

The Gross Clinic is an 1875 painting by Thomas Eakins. It is oil on canvas and measures 8 feet x 6 feet 6 inches. Dr. Samuel D. Gross, a seventy-year-old professor dressed in a black frock coat, lectures a group of Jefferson Medical College students. Included among the group is a self-portrait of Eakins, who is seated to the right of the tunnel railing, sketching or writing. Seen over Dr. Gross' right shoulder is the clinic clerk, Dr. Franklin West, taking notes on the operation. Eakins's signature is painted into the painting, on the front of the surgical table.

Admired for its uncompromising realism, "The Gross Clinic" has an important place documenting the history of medicine both because it honors the emergence of surgery as a healing profession (previously, surgery was associated primarily with amputation), and because it shows us what the surgical theater looked like in the nineteenth century. The painting is based on a surgery witnessed by Eakins, in which Gross treated a young man for osteomyelitis of the femur. Gross is pictured here performing a conservative operation as opposed to an amputation (which is how the patient would normally have been treated in previous decades). Here, surgeons crowd around the anesthetized patient in their frock coats. This is just prior to the adoption of a hygienic surgical environment. "The Gross Clinic" is thus often contrasted with Eakins's later painting "The Agnew Clinic", which depicts a cleaner, brighter, surgical theater. In comparing the two, we see the advancement in our understanding of the prevention of infection.

Interestingly, the sex of the patient is not established by anything concrete in the painting itself. This fact makes "The Gross Clinic" somewhat unique, as it presents the spectator with a body that is naked and exposed, and yet is not entirely legible as male or female. Another intriguing element of this painting is the lone woman in the painting, seen in the middle ground of the painting, cringing in distress. She can be read as a female relative of the patient, acting as a chaperone. Her dramatic figure functions as a strong contrast to the calm, professional demeanor of the men who surround the patient. This bloody and very blunt depiction of surgery was shocking at the time it was first exhibited, and remains so for many viewers of the painting today.

Critical reception
The painting was submitted for the 1876 Centennial Exhibition in Philadelphia, but was rejected. When it was eventually displayed, a critic for the New York Tribune wrote that it was "one of the most powerful, horrible, yet fascinating pictures that has been painted anywhere in this century... but the more one praises it, the more one must condemn its admission to a gallery where men and women of weak nerves must be compelled to look at it, for not to look at it is impossible." Controversy about the painting has centered on its violence, and on the melodramatic presence of the woman. Contemporary scholars have suggested that the painting may be read in terms of castration anxiety and fantasies of mastery over the body (e.g. Michael Fried), and that it documents Eakins's ambivalence about representing sex difference (e.g. Jennifer Doyle). The painting has also been understood to be drawing an analogy between painting and surgery and as identifying the work of the artist with the emergence of surgery as a respected profession.

In 2002 an art critic for The New York Times called it "hands down, the finest 19th-century American painting." In 2006, in response to the impending sale of this painting, The New York Times published a "close reading" which sketches some of the different critical perspectives on this work of art.

Provenance
After its purchase for $200 at the time of the Centennial Exhibition, the painting was housed in the College Building of Jefferson Medical College, Thomas Jefferson University in Philadelphia until it was moved in the mid-1980s to Jefferson Alumni Hall. On November 11, 2006, the Thomas Jefferson University Board voted to sell the painting for $68 million to the National Gallery of Art in Washington and the new Crystal Bridges Museum of American Art, now under construction in Bentonville, Arkansas. The sale would represent a record price for an artwork made in the United States prior to World War II.

The proposed sale was seen as a secretive act that many from Philadelphia believed betrayed the city's cultural legacy. In late November 2006, efforts began to keep the painting in Philadelphia, including a fund with a December 26 deadline to raise money to purchase it and a plan to invoke a clause regarding "historic objects" in the city's historic preservation code. In a matter of weeks the fund raised $30 million, and on December 21, 2006, Wachovia Bank agreed to loan the difference until the rest of the money has been raised, keeping the painting in town at the Philadelphia Museum of Art and the Pennsylvania Academy of Fine Arts.


Title: John Biglin in a Single Scull
Artist: Thomas Eakins
SKU: EAT-870
Original Size: unknown
Location: Yale University Art Gallery Connecticut USA

John Biglin in a Single Scull

c.1873/74
Oil Painting
$525
Title: Sailboats Racing on the Delaware
Artist: Thomas Eakins
SKU: EAT-871
Original Size: 61 x 91.4 cm
Location: Philadelphia Museum of Art Pennsylvania USA

Sailboats Racing on the Delaware

1874
Oil Painting
$525
Canvas Print
$48.05
Title: Starting Out after Rail
Artist: Thomas Eakins
SKU: EAT-872
Original Size: 61.6 x 50.4 cm
Location: Boston Museum of Fine Arts Massachusetts USA

Starting Out after Rail

1874
Oil Painting
$428
Canvas Print
$51.9
Title: The Biglin Brothers Racing
Artist: Thomas Eakins
SKU: EAT-873
Original Size: 61.2 x 91.6 cm
Location: National Gallery of Art Washington USA

The Biglin Brothers Racing

1872
Oil Painting
$540
Canvas Print
$62.78