Late Afternoon, New York, Winter, 1900 Frederick Childe Hassam (1859-1935)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Frederick Childe Hassam also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Late Afternoon, New York, Winter is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

In "Late Afternoon, New York, Winter," Frederick Childe Hassam paints a scene that seems to dissolve before your eyes. A veil of snow drapes over the city, blurring the edges of the buildings and softening the hard lines of the street. Hassam uses a muted palette of blues and greys, punctuated by flickers of warm pinks and yellows from street lamps and windows, to create the sensation of a city caught in the fading light of a winter’s afternoon. The figures, barely more than silhouettes, move through this mist of snow, their forms almost melting into the surroundings, as if they, too, are part of the swirling atmosphere.

Hassam’s brushwork is quick and light, evoking the immediacy of a fleeting moment. His strokes seem to dance across the canvas, capturing the snow as it falls and the gentle interplay of light and shadow on the street. The composition draws the viewer’s eye down the avenue, where the trees stand bare and the carriages blend into the mist, creating a rhythm that is both calm and dynamic. There’s a sense of quiet movement here - the city continues on, even in the deepening cold, with the figures trudging along the snowy street adding a touch of life to the otherwise still scene.

What’s remarkable about this painting is the way Hassam renders the winter light. The soft glow of the lamps, just hints of yellow against the cool blue haze, reflects off the snow and creates an ethereal atmosphere. It’s a masterful use of color and light, transforming what could be a simple street scene into something otherworldly. Hassam captures not just the physical reality of a New York winter, but the feeling of it - the quiet, the cold, and the way the city seems to fade into the snow, as if wrapped in a blanket of time itself.