Summer, Montclair (New Jersey Landscape), 1891 George Inness (1825-1894)

Location: The Clark Art Institute, Williamstown, USA
Original Size: 76.8 x 114.3 cm

Own a museum-quality reproduction of Summer, Montclair (New Jersey Landscape) by George Inness (1891), exclusively hand-painted in oils on linen canvas by European artists with academic training. Each masterpiece is created with meticulous craftsmanship, capturing the exceptional quality and authentic brushwork of the original painting.

Oil Painting Reproduction

$1263.03 USD
Condition:Unframed
SKU:ING-2683
Painting Size:

If you want a different size than the offered

Description

Completely Hand Painted
Painted by European Artists with Academic Education
Museum Quality
+ 4 cm (1.6") Margins for Stretching
Creation Time: 8-9 Weeks
Free Shipping!

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of George Inness also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Summer, Montclair (New Jersey Landscape) is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

Over 20 Years Experience
Only Museum Quality

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

A small peach-colored sun hangs low on the left, its soft disk barely brighter than the pearly gray sky. Below it, slender trunks rise through an open stretch of green. The trees on the right gather into a much darker mass, while a patch of water at the lower edge holds a pale reflection. Almost everything seems to share the same moist, hazy air.

George Inness painted Summer, Montclair (New Jersey Landscape) in 1891. The landscape has a distinctive balance: open sky and scattered trees on the left, dense foliage and deep shade on the right. A thin trunk near the center stands against both the light above and the grass below, giving the scene a quiet upright accent. Farther right, small openings beneath the canopy reveal brighter ground beyond. There is depth here, but no sharply marked route through it.

The greens do much of the painting’s work. Yellow-green grass gives way to olive, brown, and the nearly black green beneath the largest trees. Along the foreground bank, rusty touches interrupt the softer colors. The water carries gray-white light into this darker lower area, though its edges are difficult to follow. Rather than describing every leaf or blade of grass, Inness lets differences in color and brightness establish where things stand.

That softness comes partly from a deliberate way of working: Inness applied color with a brush, then used a cloth to soften and merge it. His interest in Emanuel Swedenborg’s religious philosophy helps explain why precise description mattered less to him than a sense of spiritual presence. He understood divinity as permeating nature, not as something separate from the trees, earth, and light.

Yet nothing here needs to be read as a symbol. The thin branches remain fragile against the sky; the shaded grove feels sheltered and still. The sun is only a small warm spot, but its muted orange keeps a gentle warmth alive amid all that green and gray.
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