The Temptations of Saint Anthony the Abbot, c.1520/24 | Joachim Patinir | Painting Reproduction
The Temptations of Saint Anthony the Abbot, c.1520/24 | Joachim Patinir | Painting Reproduction
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The Temptations of Saint Anthony the Abbot, c.1520/24 Oil Painting Reproduction
Joachim Patinir (c.1485-1524)

Location: Prado Museum Madrid Spain
Original Size: 155 x 173 cm
5/5 | 1 Review

Oil Painting Reproduction

SKU: PAJ-16861
Painting Size: $3526.00
$3526    Add to Cart
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Entirely Hand-Painted
Painted by Academy Graduated European Artists
Only Museum-Quality
+ 4cm (1.6") Borders for Stretching
Creation time: 8-10 weeks
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This painting reproduction will be completely painted by hand with artist grade oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.

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To paint your Joachim Patinir Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need 8-10 weeks to make the painting.
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We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. The Temptations of Saint Anthony the Abbot by Joachim Patinir is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Reviews (1)

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Joachim Patinir - "The Temptation of St. Anthony"

The inventory of the Escorial made in 1574 carries the statement that the figures are "by the hand of Master Coyntin" (Quentin Metsys, 1466-1530) and the landscape by "Master Joaquin."

The collaboration (Patinir collaborated with other painters in various works) is limited to the figures in the foreground and those in the erotic scene at the right, inspired by Bosch. In the female figures, especially the caricatured old hag, the reference to Leonardo is clear.

Beyond the opulently coloured curve shape formed by the temptresses around the hermit-saint, the landscape goes deep into the distance. As in other examples, it is caught while bathed in air that is clean, transparent, as in an interval between downpours; and as it moves to the distant horizon, the landscape reveals masses of trees, prairies, buildings and a basin of reflecting water that branches out into tortuous rivers. It is the "peace after the storm," still dripping from the dark clouds - a respite of calm that opens and expands in the vision.
12th June 2016 11:24pm

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