Poplars, Eragny, 1895 Camille Jacob Pissarro (1830-1903)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Camille Jacob Pissarro also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Poplars, Eragny is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Camille Pissarro’s “Poplars, Éragny,” from 1895, feels like a quiet exhalation, a soft pause in nature’s symphony. What strikes you first is the density of green - almost dizzying in its lushness. The trees rise, casually commanding the canvas, their leaves vibrating in different shades, from deep forest greens to those gentle, bright tips catching the light. The sky above them is subtle, dappled with light clouds.

Pissarro, ever the master of rural tranquility, employs his signature Pointillist touch here, though he doesn’t allow the technique to overwhelm. His brushstrokes create a texture that feels almost tactile - you could imagine reaching out and feeling the rough bark of the trees or the softness of the grasses swaying lazily at the base. Every leaf, every patch of wild grass, seems to dance to its own rhythm, yet harmonizes within the overall composition.

The composition, at first glance, seems casual - just trees and greenery, right? But look closer, and it’s anything but. There’s a slight slope to the land, leading your eye toward the small figure in the background. A human presence, dwarfed by nature. Pissarro plays with perspective, making the man - or woman, it’s hard to tell from the distance - almost vanish into the landscape, a reminder of nature’s dominance over us all.

The painting is awash in an earthy palette, but Pissarro’s real magic is in how the light filters through. The patches of sunlit grass feel almost gold, shimmering against the richer greens. It’s a painting that beckons you to breathe slower, to take in the world as Pissarro himself must have - with patience, reverence, and a quiet awe.