Victory of Joshua over the Amalekites, c.1625/26 Nicolas Poussin (1594-1665)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Nicolas Poussin also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Victory of Joshua over the Amalekites is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Nicolas Poussin’s "Victory of Joshua over the Amalekites" (c. 1625/26) doesn’t just depict a battle - it *becomes* one, sprawling across the canvas with a chaotic energy that feels almost alive. The figures are locked in combat, limbs tangled, weapons flung, bodies crushed beneath the fury of war. There’s nothing orderly about it - which is exactly the point. Poussin creates an explosion of bodies in motion, charging forward, recoiling in fear, or frozen in their last, painful moments. But, despite the violence, it’s meticulously composed - as if Poussin choreographed a deadly ballet.

The colors Poussin chooses tell their own story. Rich reds, burnt oranges, and deep browns dominate the scene, like the very earth has been soaked in the blood of the fallen. The sky above, tinted in dull blues and greys, provides a somber backdrop to the chaos below. He plays with light and shadow brilliantly, with certain figures glowing as if caught in a divine spotlight, while others are swallowed by darkness, lost in the swirl of bodies. The contrasts make the image vibrate with tension - as if the air itself is crackling.

His technique is as tight as the battle is loose. Every figure is sharply rendered, their muscles straining, their faces twisted in effort, pain, or victory. There's no mistaking a Poussin painting for anything else. The composition, for all its apparent madness, follows a clever rhythm - a zigzagging diagonal that pulls the viewer's eye from one part of the struggle to the next, never letting you settle in any one place for too long.

This is Poussin at his most dynamic - visceral, yes, but also calculated. You get the sense that every stroke of paint was planned as carefully as a general’s strategy. It’s a scene of war, but also a masterclass in control.