Landscape with a Waterfall and Castle, c.1670 Jacob van Ruisdael (c.1628-1682)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Jacob van Ruisdael also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Landscape with a Waterfall and Castle is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Jacob van Ruisdael's "Landscape with a Waterfall and Castle" (c.1670) is an orchestration of grandeur and subtle melancholy. The scene is alive with nature’s drama. A turbulent waterfall slices through the middle, cascading over jagged rocks with a kind of unapologetic ferocity. It dominates the foreground, the rushing water pulling your eyes downward in a dizzying tumble, but then - cleverly - you’re swept upward by the tall trees that frame the scene, lifting your gaze toward the imposing castle perched on a distant hill.

The castle itself, a somewhat lonely structure, doesn’t seem to belong to this wild landscape; it feels more like a relic from another time, detached, as though it's quietly observing the chaos of nature unfolding beneath it. There's a tension between the human-made and the natural - the stiff architecture contrasting the organic curves and swirls of the trees and water.

The colors are rich and moody. The sky is a heavy quilt of greys and whites, the clouds swollen with the threat of rain, or maybe just contemplating a long storm. The earth tones - greens, browns, and russet oranges - are darkened, possibly by the impending downpour or simply Ruisdael’s constant reminder that nature is the true ruler here.

Compositionally, it's all balance and movement. The waterfall commands the lower center, but the vertical trees and distant castle break the scene into a harmonious triptych. It feels alive, yet strangely still, a Ruisdael hallmark. This is landscape painting not as mere decoration, but as a philosophical statement - about impermanence, isolation, and the eternal dance between mankind and nature.