Coconino Pines and Cliff, Arizona, 1902 Thomas Moran (1837-1926)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Thomas Moran also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Coconino Pines and Cliff, Arizona is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

In “Coconino Pines and Cliff, Arizona, 1902,” Thomas Moran delivers a romanticized view of the American Southwest, one that feels like a love letter to the dramatic landscape. The cliffs rise like sunlit fortresses, bathed in warm, golden hues, while the distant sky plays with soft blues and whites, suggesting a serene, almost ethereal atmosphere. You can practically feel the dry warmth of the desert meeting the cool shadows of the forested foreground.

Moran's technique is meticulous, but it’s not without a sense of grandeur. The brushstrokes - smooth yet deliberate - capture the subtle nuances of light and shadow that define this rocky outcrop. The transition between the sharp, jagged cliffs and the softer, more organic forms of the pines shows his mastery in balancing contrasting elements. The massive tree on the right, towering like a sentinel, anchors the composition. It’s this sense of scale that Moran understands so well - the way the land stretches beyond the canvas, hinting at the vastness of the terrain while never letting the viewer feel lost.

What stands out most, however, is the color palette. His use of light and the warm, sun-drenched tones of the rocks creates a stark contrast against the dark greens and earthy browns of the trees and foreground. It’s as if nature itself is divided between the light and the shadow, and yet, there’s harmony in this duality. This is not just a landscape; it’s an invitation to pause, to stand at the edge of this scene and marvel at the interplay of nature’s raw power and quiet beauty.