An Indian Paradise (Green River, Wyoming), 1911 Thomas Moran (1837-1926)
Location: Dallas Museum of Art Texas USAOriginal Size: 76.2 x 101.6 cm
Own a museum-quality reproduction of An Indian Paradise (Green River, Wyoming) by Thomas Moran (1911), exclusively hand-painted in oils on linen canvas by European artists with academic training. Each masterpiece is created with meticulous craftsmanship, capturing the exceptional quality and authentic brushwork of the original painting.
Oil Painting Reproduction
If you want a different size than the offered
Description
Painted by European Аrtists with Academic Education
Museum Quality
+ 4 cm (1.6") Margins for Stretching
Creation Time: 8-9 Weeks
Creation Process
We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.
We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.
High quality and detailing in every inch are time consuming. The reproduction of Thomas Moran also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.
In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.
TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.
We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.
You can stretch and frame your painting in your local frame-shop.
Delivery
Once the painting An Indian Paradise (Green River, Wyoming) is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.
We offer free shipping as well as paid express transportation services.
After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.
Museum Quality
The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
Additional Information
Moran’s palette is calculated to orchestrate emotional registers rather than merely describe local colour. Silvery blues and tender lilacs temper the ochres and venetian reds of the cliffs, creating a chromatic dialogue between cool serenity and sun‑struck intensity. The lake mirrors the sky, but with muted clarity; ripples diffuse the reflection and suggest a slight breeze that prevents complete stillness. Green is husbanded sparingly, reserved for peripheral vegetation so that the composition never loses its desert provenance.
Close scrutiny reveals the painter’s mature command of technique. Thin, translucent glazes over an ochre ground allow the under‑tone to glow, animating recessive planes; flecks of impasto punctuate tree foliage, catching stray light and heightening texture. In the sky, delicate scumbles of lead‑white feathers trace the movement of high cirrus clouds, recalling Turner’s airy atmospherics, yet Moran restrains bravura, preferring a controlled luminosity that supports narrative over spectacle.
The construction of the image is classical in its balancing of horizontals and verticals. The butte forms an axial pivot, its rigid profile offset by the sweeping river and the serpentine foreground path. The small riders function as both scale and story: they draw the spectator through the portal of the riverbank into the expansive middle ground, then onward to the smoky horizon. Subtle diagonals—tree trunks, shoreline, the line of riders—interlock to form a visual cadence that guides without coercion.
By 1911, the Green River country was no longer the remote frontier Moran had first sketched in 1871. The title “An Indian Paradise” is therefore elegiac, a wistful invocation of a people displaced and a landscape already mediated by memory. In conflating Western topography with the atmospheric glamour of his Venetian reveries, Moran fabricates a terrain suspended between fact and longing; it is a landscape seen through the prism of experience and art‑historical inheritance, an imagined refuge rendered with the authority of firsthand observation.