The Repentant Magdalene, c.1560 | Titian | Painting Reproduction
The Repentant Magdalene, c.1560 | Titian | Painting Reproduction

The Repentant Magdalene, c.1560
Tiziano Vecellio Titian (c.1485-1576)

Location: The State Hermitage Museum St. Petersburg Russia
Original Size: 119 x 97 cm
5/5 | 1 Review
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Oil Painting Reproduction

SKU: TTV-3179
Painting Size: $1635.47
Entirely Hand-Painted
Painted by Academy Graduated European Artists
Museum-Quality
+ 4cm (1.6") Borders for Stretching
Creation time: 8-9 weeks
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We will add 1.6" (4cm) additional blank canvas all over the painting for stretching.

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High quality and detailing in every inch are time consuming. The reproduction of Tiziano Vecellio Titian also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Reviews (1)


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Gygy
Acquired with the Barbarigo collection in Venice, 1850.
This is a theme Titian treated more than once. His first attempt goes back to 1531 (Palazzo Pitti, Florence). According to Vasari, Titian produced a canvas depicting Mary Magdalene, which he sold to Silvio Badoer. Later it turned up in Flanders (it is possible that at one time it belonged to Rubens). Another version of the composition was dispatched by Titian to Philip II of Spain; the picture was kept in the Escorial, but at the end of the seventeenth century it was replaced by a copy executed by Luca Giordano. What happened to both canvases since is not known. The picture now in the Hermitage is mentioned by C. Ridolfi among the works remaining in Titian's house after his death. Vasari, who visited Venice in 1566, does not list the canvas among those in the artist's house. This led to the conclusion that the picture referred to by C. Ridolfi was executed after 1566, probably between 1566 and 1570. In 1581 it was sold to Barbarigo by Titian's son, Pomponio Vecellio.

There are several replicas and copies of the Hermitage composition. The best of these, done by Titian himself, are in the Paolo Candiani collection and in the J. Paul Getty museum. The widely known canvas in the Capodimonte Museum in Naples is now thought to be a copy.
24th May 2015 10:39pm

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