This painting reproduction will be completely painted by hand with oil paints on a blank linen canvas. We add additional 1.6" (4cm) of blank canvas above the offered size which will be used to stretch the canvas on a stretcher-bar.
The Time it Takes to be Created:
To paint your Vincent van Gogh
Hand-Painted Art Reproduction time is needed. The painting should not be made too hastily, nor should any deadlines be pursued. For the painting to acquire high quality and precision of detail, time is necessary. It also needs time to dry in order to be completely ready for shipping. Depending on the complexity, the level of detail, and the size of the painting, we'll need weeks to make the painting.
Should a change of deadlines become necessary, or should your order arrive at a time when we are overloaded with work, then we will notify you by e-mail concerning how much time we would need to complete your painting reproduction.
We do not frame our oil painting reproductions. Hand-Painted Art Reproduction is an expensive product, and the risks of damaging a painting stretched on a frame during transportation are too high. L'Arlesienne: Madame Joseph-Michel Ginoux
by Vincent van Gogh
is, therefore, not framed, and will be sent to you rolled up and packaged in a strong and secure postal tube.
You can check the price for shipping the order on the shopping cart screen.
The paintings we create are only of museum quality. Our academy trained artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
(Madame Ginoux), or Portrait of Madame Ginoux are titles given to six paintings by Vincent van Gogh, painted in Arles, November 1888 (or later) and in Auvers, February 1890.
Marie Jullian (or Julien), born in Arles June 8, 1848 and died there August 2, 1911, married Joseph-Michel Ginoux in 1866. Together they ran the Cafe de la Gare, 30 Place Lamartine, where Van Gogh lodged from May to mid September 1888, when he had the Yellow House in Arles furnished to settle there.
Evidently until this time, Van Gogh's relations to the Ginoux's had remained more or less commercial, but Gauguin's arrival in Arles altered the situation: His courtship charmed the elderly lady, then just 40 years of age, and in the very first days of November 1888 (November 1st, or more probably November 2nd) Madame Ginoux agreed to have a portrait session for Paul Gauguin, and his friend Van Gogh. Within a little hour, Gauguin produced a charcoal drawing, while Vincent slashed a full-scale painting.