Madonna and Child with the Young St. John the Baptist, c.1468 Sandro Botticelli (1445-1510)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Sandro Botticelli also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Madonna and Child with the Young St. John the Baptist is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

In Sandro Botticelli’s "Madonna and Child with the Young St. John the Baptist," c. 1468, we see a tender domestic moment infused with Botticelli's characteristic elegance and harmony. The Madonna holds the Christ Child close, their cheeks touching in a moment of intimacy that feels both spontaneous and composed. Botticelli's Mary is not just a sacred figure but a mother, her gaze gentle and meditative, wrapped in delicate, almost translucent veils that cascade over her forehead and shoulders. Beside her, the young St. John, with his curly locks and expressive eyes, gazes on in awe - a child recognizing the divine presence in his midst.

The color palette here is lush and radiant, with a subtle depth that Botticelli achieves through layered, almost transparent pigments. Mary’s robe is a deep, rich green trimmed with gold, and her undergarment peeks out in a vivid crimson red. The contrast between these colors - the green and red - gives her figure a visual prominence while drawing the eye to the Christ Child swathed in a softer, glowing pink. The colors harmonize with the natural tones of the background: a woodland setting with slender, feathery trees reaching skyward, suggesting a quiet, almost dreamlike Eden.

Botticelli’s composition is meticulous yet fluid. The triangular arrangement - a Renaissance hallmark - creates a sense of stability, with Mary at the base, her arms forming an embrace around the Christ Child and St. John. Every gesture is rendered with an almost sculptural precision, yet the soft lines of Botticelli’s brush imbue it with warmth and life. Notice the way the Virgin’s fingers delicately support the Child’s foot, emphasizing a mother’s protectiveness and love. Even the textures - from the luminous softness of skin to the fine detailing of the tablecloth draped beside St. John - reveal Botticelli's keen sensitivity to both the material and the spiritual.

In this painting, Botticelli isn’t merely depicting sacred figures; he’s capturing the humanity within divinity. The composition is intimate, the colors are radiant, and the whole scene feels like a delicate dance between earthly love and heavenly grace.