Entrance to the Grand Canal: Looking West, c.1738/42 Giovanni Antonio Canal Canaletto (1697-1768)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Giovanni Antonio Canal Canaletto also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Entrance to the Grand Canal: Looking West is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Canaletto’s "Entrance to the Grand Canal: Looking West" isn’t just a painting - it’s a window into the heart of Venice. The Grand Canal, with its tranquil waters, is cradled by the city's architectural splendor. You can feel the weight of history in every stone. On the left, the Dogana - stately, with its statues and crowned by the imposing dome of Santa Maria della Salute - looms over the water, while on the right, a parade of Venetian palazzos lines the canal, stretching off into the distance. It's as if the city is eternally suspended between land and water, day and night.

Canaletto’s composition is deliberate, almost mathematical. The eye is pulled through the scene, first by the curvature of the canal, then by the verticals of the buildings, and finally by the tiny figures - boatmen, merchants - who dot the foreground. Every element is harmoniously balanced, yet there’s a liveliness in the details. Gondolas dot the water like delicate punctuation marks, their sleek black hulls contrasting with the soft, sunlit stone of the buildings.

The colors are gentle, restrained. The sky - pale blue - merges effortlessly with the sea, which Canaletto renders in a muted green that reflects the architecture as it ripples softly. Nothing feels exaggerated; the light is soft and even, casting subtle shadows, making the city feel both warm and eternal.

And then, there’s his technique. Canaletto is meticulous - his brushwork is sharp, his lines clean. Yet, there’s no coldness in it. The painting feels alive, breathing. Every ripple, every arch, every window is rendered with an affection that borders on reverence. You can almost hear the gentle splash of water against stone.