Near Auvers-sur-Oise, n.d. Paul Cezanne (1839-1906)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Paul Cezanne also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Near Auvers-sur-Oise is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Ah, Cezanne, the master of quiet rebellion. "Near Auvers-sur-Oise" feels like a half-whispered secret, a landscape that almost doesn’t want you to see it fully - as if it’s shy. The composition is loose, almost casual. You’ve got these muted houses huddled in the bottom third, tucked into a rolling countryside. The rooftops, flecked with rusty oranges, pop gently against the sea of greens that dominate the canvas. And it's those greens - deep, mossy, and broken by lighter touches - that really anchor the scene. You can feel the terrain undulate underfoot.

The trees stand there, somewhat indifferent, a mass of dark foliage rising up against a horizon that doesn’t seem to care where it begins or ends. Cezanne isn’t interested in crisp edges or perfect forms - everything feels like it's hovering in a state of becoming. He’s not painting what he sees, but how he sees it, through this patchwork of brushstrokes that break down shapes into their simplest forms. The sky is a hazy, swirling mass of pale blues and grays, with barely-there clouds that lazily drift across.

It’s not all about grand gestures here, but rather the subtle push and pull between foreground and background. The technique - those thick, deliberate strokes - gives the landscape a weight, a texture, almost like you could reach out and feel the canvas bristling with energy. There’s a rhythm to the whole thing, a quiet pulse. Cezanne’s never in a hurry, but somehow, that’s exactly what makes the scene feel alive.