Forest of Fontainebleau, 1834 Jean-Baptiste-Camille Corot (1796-1875)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Jean-Baptiste-Camille Corot also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Forest of Fontainebleau is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

There’s something quietly magical about Corot’s “Forest of Fontainebleau,” 1834. It’s as if he’s taken the heartbeat of the French forest and slowed it to a meditative hum. The first thing that strikes you is the richness of the landscape - not just the physical expanse of trees and rocks, but the way the scene feels like it’s been suspended in a fleeting moment. The young woman, crouched by the stream, gazing intently at the bookr, feels almost incidental - she’s part of the landscape, rather than its subject.

Corot plays with shadow and light in a way that suggests more than it shows. The right side of the canvas is heavy with thick, shadowed trees, which rise dark and imposing, yet they aren’t menacing. The left side, by contrast, is bathed in sunlight, golden hues streaming over rocks and dry leaves. It’s as if two different times of day are colliding - an early morning glow pushing back against the dappled, lingering dusk. And the sky above? It’s a soft, clear blue, like the kind of sky that promises a day that’s neither too hot nor too cold.

What makes Corot’s technique here so mesmerizing is the softness of his brushstrokes. The trees, rocks, and water all seem to blend into one another, not in a hazy way, but in a way that feels natural - like everything in this forest shares the same breath. Look closely, and you’ll see how the leaves are less distinct shapes and more delicate impressions, almost as if they’re vibrating in the air. This lack of definition gives the entire piece a dreamy quality.

The composition is deliberate. The stream, stretching horizontally, pulls your eye gently across the canvas, guiding you from the girl to the distant landscape. The forest feels vast, yet intimate, like it’s quietly closing in on you, but in a way that feels like a gentle embrace, not a suffocating one. You could lose yourself here - in the trees, the shadows, the silence.