Oil Painting Reproduction
SKU: DEE-2812Painting Size: $1551.84
Entirely Hand-Painted
Painted by Academy Graduated European Artists
Museum-Quality
+ 4cm (1.6") Borders for Stretching
Creation time: 8-9 weeks
Painted by Academy Graduated European Artists
Museum-Quality
+ 4cm (1.6") Borders for Stretching
Creation time: 8-9 weeks
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If you want a size which is different from the one being offered, please contact us.
We create our paintings with museum quality and covering the highest academic standards.
Once we get your order, it will be entirely hand-painted with oil on canvas.
All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.
We will add 1.6" (4cm) additional blank canvas all over the painting for stretching.
We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we can't risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.
You can stretch and frame your painting in your local frame-shop.
Once we get your order, it will be entirely hand-painted with oil on canvas.
All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.
We will add 1.6" (4cm) additional blank canvas all over the painting for stretching.
We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we can't risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.
You can stretch and frame your painting in your local frame-shop.
High quality and detailing in every inch are time consuming. The reproduction of Hilaire Germain Edgar Degas also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.
In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.
TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.
In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.
TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.
Once the painting "The Dance Class" is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.
We offer free shipping as well as paid express transportation services.
After adding your artwork to the shopping cart, you will be able to check the delivery price using the "Estimate Shipping and Tax" tool.
We offer free shipping as well as paid express transportation services.
After adding your artwork to the shopping cart, you will be able to check the delivery price using the "Estimate Shipping and Tax" tool.
Over 20 Years Experience
Only Museum Quality
The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
The Dancing Class
In this delightful painting, Degas captures a moment in the arduous training routine of the young ballerinas at the Paris Opera. The viewer's impression is of an inadvertent glance into the rehearsal room as most of the corps de ballet take a break, while the ballet-master Jules Perrot concentrates on the little dancer framed in the doorway. To achieve this sense of immediacy, Degas spent countless hours behind stage at the old Opera in the Rue le Peletier, studying the ballerinas at work, and building up a vast stockpile of drawings, which he later put together in his final compositions.
Every detail is lovingly observed - from the tired dancer stretching in the far corner, to the watering can used to dampen down the dusty floorboards. But the picture as it stands today is very different from Degas' original composition. X-rays have shown that Jules Perrot originally stood facing the back wall, while two of the foreground figures looked towards the spectator. One of these now has her back to us, while the other has been almost hidden by the addition of the girl sitting on the piano, scratching her back.
Incidental details
Degas' details often add a touch of informal humour: between two foreground figures, we catch a glimpse of a dancer twiddling her earring, while a little dog peeps out from behind a ballerina's leg.
The Paris Opera
The setting ofThe Dancing Class is the Opera in the Rue le Peletier. Degas was a frequent visitor there from 1871 until a disastrous fire destroyed the building the following year. When the huge new Opera was opened in 1875, that in turn became the focus of his attention.
A new perspective
When Degas added the girl on the piano, he strengthened the illusion of depth in the painting. The figures now form a funnel-like triangle that runs across the picture, enclosed by the dramatic perspective lines created by the floorboards and cornice. Accents of red run through the group, from the flower in the foreground dancer's hair, to the hat of one of the lovers by the far wall.
Perrot is leaning on the long stick he used for pointing and tapping rhythm for his pupils.
In this delightful painting, Degas captures a moment in the arduous training routine of the young ballerinas at the Paris Opera. The viewer's impression is of an inadvertent glance into the rehearsal room as most of the corps de ballet take a break, while the ballet-master Jules Perrot concentrates on the little dancer framed in the doorway. To achieve this sense of immediacy, Degas spent countless hours behind stage at the old Opera in the Rue le Peletier, studying the ballerinas at work, and building up a vast stockpile of drawings, which he later put together in his final compositions.
Every detail is lovingly observed - from the tired dancer stretching in the far corner, to the watering can used to dampen down the dusty floorboards. But the picture as it stands today is very different from Degas' original composition. X-rays have shown that Jules Perrot originally stood facing the back wall, while two of the foreground figures looked towards the spectator. One of these now has her back to us, while the other has been almost hidden by the addition of the girl sitting on the piano, scratching her back.
Incidental details
Degas' details often add a touch of informal humour: between two foreground figures, we catch a glimpse of a dancer twiddling her earring, while a little dog peeps out from behind a ballerina's leg.
The Paris Opera
The setting ofThe Dancing Class is the Opera in the Rue le Peletier. Degas was a frequent visitor there from 1871 until a disastrous fire destroyed the building the following year. When the huge new Opera was opened in 1875, that in turn became the focus of his attention.
A new perspective
When Degas added the girl on the piano, he strengthened the illusion of depth in the painting. The figures now form a funnel-like triangle that runs across the picture, enclosed by the dramatic perspective lines created by the floorboards and cornice. Accents of red run through the group, from the flower in the foreground dancer's hair, to the hat of one of the lovers by the far wall.
Perrot is leaning on the long stick he used for pointing and tapping rhythm for his pupils.
Reviews (1)
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Title: Girl in Red
Artist: Hilaire Germain Edgar Degas
SKU: DEE-2813
Original Size: 98.9 x 80.8 cm
Location: National Gallery of Art Washington USA
Original Size: 98.9 x 80.8 cm
Location: National Gallery of Art Washington USA
Title: The Rehearsal
Artist: Hilaire Germain Edgar Degas
SKU: DEE-2814
Original Size: 58.4 x 83.8 cm
Location: The Burrell Collection Glasgow United Kingdom
Original Size: 58.4 x 83.8 cm
Location: The Burrell Collection Glasgow United Kingdom
Title: A Woman Ironing (Silhouette)
Artist: Hilaire Germain Edgar Degas
SKU: DEE-2815
Original Size: 54.3 x 39.4 cm
Location: Metropolitan Museum of Art New York USA
Original Size: 54.3 x 39.4 cm
Location: Metropolitan Museum of Art New York USA
Title: School of Ballet (Ecole de Danse)
Artist: Hilaire Germain Edgar Degas
SKU: DEE-2816
Original Size: 47.6 x 62.2 cm
Location: Corcoran Gallery of Art Washington USA
Original Size: 47.6 x 62.2 cm
Location: Corcoran Gallery of Art Washington USA
Thank you. I will order more in the future, I am sure.