Garland of Roses Altarpiece, 1506 Albrecht Durer (1471-1528)
Location: Kunsthistorisches Museum Vienna AustriaOriginal Size: 160 x 193 cm
Oil Painting Reproduction
If you want a different size than the offered
Description
Painted by European Аrtists with Academic Education
Museum Quality
+ 4 cm (1.6") Margins for Stretching
Creation Time: 8-9 Weeks
Creation Process
We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.
We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.
High quality and detailing in every inch are time consuming. The reproduction of Albrecht Durer also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.
In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.
TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.
We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.
You can stretch and frame your painting in your local frame-shop.
Delivery
Once the painting Garland of Roses Altarpiece is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.
We offer free shipping as well as paid express transportation services.
After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.
Museum Quality
The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
Additional Information
Dürer's mastery of color is on full display here. Rich reds and golds of the papal and imperial robes contrast beautifully with Mary's deep blue, while verdant greens of the surrounding foliage create a sense of paradise on earth. The artist's attention to texture is remarkable - you can almost feel the softness of the rose petals and the gleam of polished armor.
The composition is a triumph of Renaissance harmony. Dürer arranges his figures in a pyramidal structure, with Mary at the apex, flanked by earthly and heavenly attendants. Cherubs flit about the upper corners, adding a touch of whimsy, while in the background, a carefully rendered landscape stretches to a distant mountain range.
But it's in the details that Dürer truly shines. Look closely and you'll spot the artist himself, peering out from behind a tree, palette in hand. This self-portrait adds a personal touch to the grand religious scene, reminding us of the very human hand behind this divine vision.
The "Feast of the Rosary" is more than just a religious tableau - it's a celebration of life itself. Dürer infuses each face with individuality, from the weathered features of an old man to the rosy cheeks of a cherub. It's this keen eye for the beauty of the everyday that elevates the painting beyond mere devotional art.
Despite some damage over the centuries, the "Feast of the Rosary" remains a testament to Dürer's genius. It's a painting that rewards close inspection, revealing new wonders with each viewing. In creating this altarpiece, Dürer not only secured his reputation as a master colorist but also gave us a window into a world where the sacred and the human exist in perfect, glorious harmony.
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