Fight to the Death with Clubs, c.1820/23 | Goya | Painting Reproduction
Fight to the Death with Clubs, c.1820/23 | Goya | Painting Reproduction

Fight to the Death with Clubs, c.1820/23
Francisco de Goya (1746-1828)

Location: Prado Museum Madrid Spain
Original Size: 125 x 261 cm
5/5 | 1 Review
Examples of Quality - Video

Oil Painting Reproduction

SKU: GOY-16853
Painting Size: $956.51
Entirely Hand-Painted
Painted by Academy Graduated European Artists
+ 4cm (1.6") Borders for Stretching
Creation time: 8-9 weeks
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Once we get your order, it will be entirely hand-painted with oil on canvas.
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We will add 1.6" (4cm) additional blank canvas all over the painting for stretching.

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Painting reproduction is a high quality expensive product, which we can't risk to damage by sending it being stretched.
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High quality and detailing in every inch are time consuming. The reproduction of Francisco de Goya also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

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Reviews (1)

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Francisco José de Goya y Lucientes - "Brawl with Cudgels"

Goya was over 70 years old; he had lived through 20 tragic years of Spanish history; in such private or "secret" paintings he took up again and developed those "cabinet pictures" of 1794 about which he wrote: "To occupy the imagination mortified by meditating on my ills ... I set myself to painting a series of pictures in which I have succeeded in making place for observations that are generally absent in commissioned works, where caprices and inventions cannot be developed."

This project and its later revival mark an historical fact of the highest importance: the transformation of the artist's aims. He no longer receives or executes commissions, but imposes his own original expression, not only in form but also in theme, according to his own choice.

In these Quinta del Sordo (House of the Deaf Man) pictures, Goya used motifs from his previous drawings and prints, but he moved towards a basic monochrome in painting, absolutely independent of any traditional theme and aimed only to pin down the interior images of a tense, tragic, period in his desperately solitary confessions.
10th June 2016 4:27pm

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