Queen Victoria at Osborne, 1865 Sir Edwin Henry Landseer (1802-1873)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Sir Edwin Henry Landseer also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

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We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

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Once the painting Queen Victoria at Osborne is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

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In Sir Edwin Landseer’s "Queen Victoria at Osborne," painted around 1865, we find a quiet yet profoundly telling scene of the Queen in mourning. Here, Victoria is mounted on her pony, Flora, clad in black, with her face cast down, reading a letter - perhaps a symbol of the ongoing correspondence that ties her to the past. Her posture is relaxed yet restrained, hinting at the emotional weight she carries since the death of Prince Albert. Before her stands John Brown, holding the reins, his expression serious and attentive, embodying a steadfast devotion to the Queen that history would later celebrate.

Landseer’s color choices convey a subdued, melancholic atmosphere. The greens of the landscape are muted, the soft tones of the lawn and trees fading into a background that feels intentionally vague, allowing the Queen’s figure to hold the focus. Victoria’s black mourning attire is stark against the lighter shades of the road and the delicate blues of the distant sky. The painting avoids heavy contrasts, instead letting the scene breathe in a palette of soft, earthy tones. Even the dogs at Victoria’s feet - the Border Collie and Skye Terrier - seem to embody a quiet loyalty, lying or sitting beside her as if sharing in her loss.

The composition is balanced, yet intimate. Landseer places Victoria centrally, her figure grounded by the pony’s solid form, with the nearby figures of Princess Louise and Princess Helena in the background, sitting casually on the terrace. This distance creates a gentle separation, framing the Queen and John Brown in a personal sphere of their own. Letters and gloves lie scattered on the ground - small but poignant details that lend the scene a momentary feel, as if we’ve caught the Queen in a private act of reflection.

Landseer’s brushwork is delicate yet expressive. He captures the folds of fabric, the texture of the animals’ fur, and even the nuanced expressions on each face with a light touch. It’s a painting that doesn’t demand attention but rather invites it, whispering of a sorrow carried with dignity. Through this subtle, restrained approach, Landseer shows us not only a queen in mourning but a human soul quietly navigating grief, making it a portrayal both regal and deeply personal.